Categories:
Bestsellers,
Magick & Occult,
Witchcraft and Wicca
£50.00
Standard Hardback edition, limited to 250 copies
Richard Ward’s book ‘Betwixt God and the Devil’ was born of a lifelong interest in the folk magic traditions of his native Essex, an area long known as 'The Witch County.’ as such, it is key to the history and development of modern traditional Witchcraft.
Drawing on a wide variety of source materials, some of which are obscure and difficult to obtain, Ward demonstrates that the history of Essex magic is far more complex than it first appears. In doing so, he shows that attitudes which portrayed witches as purely evil and Cunning folk as entirely good were far from the truth, despite the opinion of the Witchfinder General Matthew Hopkins and his ilk during the 17th century. Even the popular belief that witches were exclusively pagan is shown to have been incorrect, an ambiguity popularly known as the dual observance.
In terms of history, Ward’s study covers the period from the 16th century onwards, although it begins with an outline of the origins of this suitably nameless arte during the Anglo-Saxon era. This was a time of great change when anything deemed magic and the worship of pagan deities was outlawed and denounced by the newly adopted Christian Church, which they labelled as the Devil’s work.
In documenting the survivals of Essex magic during the 19th century, Ward includes detailed accounts of James Murrell, the last of the great Essex Cunning folk, and Canewdon’s George Pickingill. In particular, Ward’s book examines the myths that have built up around Pickingill, offering a significant reassessment of the Pickingill legend.
Ward also acknowledges the importance of incoming Romany clans that breathed new life into the county’s magical traditions and kept them alive well into the early to the mid-20th century.
Ward goes on to note the rise of Essex witchcraft in popular culture during the late 1960s and early 1970s. It was at this time, according to some accounts, that Essex witchcraft became linked with the likes of Gerald Gardner and Aleister Crowley. On examination of the evidence, Ward has not shied away from challenging these and other dubious claims, some of which have been widely perpetuated by academics and popular authors alike. Ward’s history concludes with brief accounts of modern Essex-born practitioners, from the likes of witches Alex Sanders, Stewart Farrar and Paul Huson through to Typhonian magician Kenneth Grant and modern Cunning man Andrew Chumbley.
The second part of Ward’s book examines the county’s magical folklore, delving into such important areas as the true and multi-faceted nature of the Devil in Essex, its genius loci and familiar spirits, and the widespread belief in dreams, omens, and superstitions, whose observation was considered essential to the successful practice of magic in all its forms.
In the last part of his book, Ward reveals the magical practices traditionally used by witches and Cunning folk in Essex, such as charms and herbal remedies, methods of divination, curses and anti-curses. As he demonstrates that the core practices of Essex magic were longest preserved in remote farming communities, Ward includes a chapter specifically related to agricultural magic. This final section of the book also features accounts of the Horseman’s Word ritual, the related rite of the toad witch and the magical use of other bones and natural talismans within the county.
£19.99
£49.00
The earliest known Rosicrucian ritual system published for the first time.
The subject of this book is Johann Samuel Mund artist, alchemist and Free-mason and his own special interpretation of the Royal Art. It was in Frankfurt that Mund founded the Masonic Lodge known as the Bund der Treue und Wahrheit zu den 3 Rosenkreuzern Weiß, Roth und Gold (Union of Loyalty and Truth of the 3 Rosy Crosses, White, Red and Gold), for which he developed his own doctrine with its own rituals and teachings, which have fortunately come down to us in various manuscript archives.
In this book the authors provide the first complete overview of Mund's teachings, illustrated with the unique images and diagrams that he created specially for them. The authors also explore the conditions prevailing at the time the Lodge of the Union of Loyalty and Truth was founded, the influences that shaped it, and the impact it had upon the development of the High Degrees in the mid-18th century.
What is more, the book sheds light on a fascinating chapter in Masonic history, and one that has been relatively neglected to date, namely the connection between practical and philosophical alchemy on the one hand and dogmatic Freemasonry (at that time not yet fully developed) on the other.
This meticulously researched and richly illustrated volume is a joint production of Salier Verlag, Germany, and Lewis Masonic and contains all the relevant texts in both German and English. It is aimed both at academics specialising in the Enlightenment and the general reader with an interest in the history of ideas, alchemy and esotericism, as well as Freemasons who are eager to explore a fascinating and previously neglected chapter in the development of the Brotherhood.
1st Edition 2024 (bilingual edition in German and English)
Hard-cover binding in imitation leather with gold embossing, thread-stitched, two bookmarks (one Gold and one Rose coloured)
Colour throughout with numerous illustrations
544 pages, 17 x 24 cm
Only 500 Printed
£32.00
Clothbound, 156x232mm, pp.48. Litho, sewn, colour-plates and gatefold section, frontispiece, hand-numbered on colophon. Tailbands, foil-blocked on spine and front. Illustrated dustjacket. Over 70 black & white images, 6 colour images by Spare. Small-format (A3) fold-out map.
Presented here is the full interview transcript (7,600 words) with Alan Moore conducted by Steve Crabtree for the BBC Culture Show on the occasion of the 2010 ‘Fallen Visionary’ exhibition, Cuming Museum, Walworth, London.
Moore discusses his enduring fascination for Spare in relation to mystical and quotidian London history. During a taxi cab tour around Southwark, he investigates the Cockney milieu of Spare. And he examines works in the exhibition, discussing the magical implications of Spare’s art and how it nourishes him as a writer and magician.
Contextual History by Gavin W. Semple – Pin-pointing the domiciles and haunts of Spare’s South London, along with the taverns that the artist frequented and exhibited in. This is revised from the Cockney Visionary publication.
Among images of Spare’s art is a previously unpublished nude study belonging to Moore. There are 23 exquisite line illustrations by Ben Thompson (Master of the Art), evoking characters of Spare’s canon; from Paterson to Crowley, Blake to Blavatsky, that underpin Spare’s art and ethos.
Thompson has also produced a stunning cartographical puzzle with graphic inter-dimensional implications, revealing alternate hidden designs when partially unfolded. This is with the deluxe edition only, and a folio edition of signed prints will also be released.
A new concept in Spare studies? A unique guide for exploring sub-rosa London?
You decide, but do keep to the left-hand path…