Categories:
Fine & Antiquarian,
Magick & Occult
£175.00
First edition hardback and Codex Icons set.
Galvanising form from negative existence allows the Codex to analyse and describe how the Proklosis Ring is to be used as an orientating device, even while the ritual precinct remains exposed. Accompanying this philosophical exposition of the Black Dragon, the Codex addresses, in some depth, a ritual procedure which involves the inscribing of each letter of I-Azi-Dahaka upon the earthen floor. The purpose of this rite is to draw in the extent of the Proklosis Ring without needing to contain. Each letter operates as a portal, together they portend the awakening of the sorcerous self. Additional layers of meaning are consequently added, thus exposing metaphysical associations to non-being that have up until now been hidden by the mantle of Otherness. Incorporating emanations from the Black Dragon, including the daemon emissaries and djinn from Volume 1, along with a retinue of familiar spirits not previously mentioned are thereby conveyed for the strict purpose of provisioning the sorcerer with a corpus of referential allegiances.
£245.00
Out of print hardback edition, limited to 350 copies only.
Unread in very good condition, wrapped in protective cellophane.
Edited, annotated and introduced by Richard Kaczynski, this edition far surpasses that found in the Collected Works: red and black ink has been employed to capture the feel of the 1904 edition; a 50 page introduction by Crowley’s foremost biographer introduces the reader to the many themes to be found throughout the book; finally, copious end-notes further elucidate concepts and ideas in need of clarification.
From the introduction:
‘The Sword of Song is arguably the greatest story never told. It is a book of firsts: his first manifesto, his first talismanic book, his first mystical essays, his first nod to sexual mysteries, and an enticing preview of what was to come in The Book of the Law, the spirit-writing that would form the cornerstone of his philosophy’.
£120.00
Out of print, hardback edition.
Condition: Fine - As New.
The work of Renaissance philosopher Giovanni Pico della Mirandola is both significant and interesting for a number of reasons. First, his writings provide both an approach to, and an understanding of, ancient wisdom traditions (philosophical and religious systems) and the way that we receive them in modern times. This is partly a discovery of how Western society and culture honors these traditions, but tends to be fundamentally disconnected from them in the course of daily life. Ultimately, this is a recognition that the esoteric traditions of the West are fragmentary at best, but also a realization that these fragments are our legacy and by working with them mindfully, we may still traverse a spiritual path that leads from delusion to wisdom. Second, studying Pico and his work reveals the manner in which a fundamentally Jewish esoteric doctrine and tradition –Kabbalah – was adapted and then adopted by Christian philosophers because it was a living, extant tradition and has a monotheistic character. Third, a close reading of Pico’s works reveals new insights into the ways that angels were thought of, and even worked with, in an esoteric and mystical manner Pico is a natural focus for all of these questions because his own work and writings places him not only at the center of these investigations, but also at the center of the rebirth of the Western esoteric tradition. Pico’s 900 Theses and subsequent Apologia (from which his Oration (on the Dignity of Man) is excerpted) contain the foundation for the rediscovery of Western esotericism from the mists of time along with the public declaration that magic and the Cabala were the keys to knowing the truth of religion, the world, and oneself. Pico’s own story of this discovery and the way in which he felt compelled to share it with the world are extraordinary and dramatic, so he is a most suitable vehicle for the expression of these ideas.
Through his writings, we can understand the way in which Western esotericism had been relegated to the dustbin of history before Pico so boldly plucked it from the trash heap to exalt it as it should be. He exposed the manner in which we could see that there exist equivalences and correspondences in various traditions and schools of thought. This can be understood as a sort of syncretism, but also a way to understand that, on some level, truth can be expressed in different ways that may be more accessible to different people in different places at different times. Pico also shows us how a fully extant, living esoteric system can be adapted and appropriated if one feels righteous in doing so. It was the deficiency in Western esotericism that there was no living system as all the ancient religions were dead and gone – except for Judaism. All that was required was the Spanish Inquisition to convert some Kabbalists and then exile them to Italy where they translated for and tutored Pico. From there it was no great task to adapt the once Jewish Kabbalah to a now Christian Cabala. This conversion made all subsequent esoteric practice in the West really flourish and one could say that Pico’s adaptation of the Cabala is the act that has had more influence on Western esoteric thought and practice for the following 500 years and counting than any other.
Lastly, Pico and his philosophy engages with angels and the orders of angels in unique ways to teach a system of thought and action – contemplation really – that is designed to lead to gnosis and/or theosis. The really beautiful thing about Pico’s system is that it perfectly mirrors all great mystical systems of the world in the specific methods that it employs. One of the things I really enjoyed was exploring how Pico’s explanation of how one goes from delusion to wisdom compared with Jewish Kabbalah, but there is ample territory to explore comparisons with many esoteric paths.
Limited standard hardback edition.
£595.00
'Fine edition' Limited to 72 copies
Handbound in full shrunken grain goatskin in deep bronze green, bevelled edges, all edges gilt, marbled endpapers, and custom slipcase. Letterpress print of The Prayer of the Salamanders.
The first volume of Jake Stratton-Kent’s Encyclopaedia Goetica is a reconstruction of the Grimorium Verum from the corrupted Italian and French versions of the grimoire. The True Grimoire comprises a coherent and eminently workable system of goetic magic, with extensive commentary and notes by a practicing necromancer.
The second edition appears thirteen years after the True Grimoire was first published, in which time it has become a critical and foundational work of the current magical revival. As Dr Alexander Cummins observes in his Foreword, the True Grimoire ‘spearheaded a particular renaissance in grimoire studies towards more informed historical analysis and more engaged mythopoetic ritual praxis, all the while centring the realities of hands-on cunning.’
In his introduction and notes to the grimoire, Stratton-Kent elucidates the importance of this concise and comprehensive text to magicians and students of magic alike:
‘The grimoire deals with significant themes that other, often larger, texts have lost, omitted or obscured. […] It enables the persistent seeker to see, essentially, what many have failed to see, that underlying goetic magic is a hidden tradition of great depth and significance. It possesses a traditional methodology that confronts and deals directly with the same primal realities faced by our most remote ancestors; in which all later magic and religion had their original impetus, but which in the West is primarily preserved in goetic magic alone.’
We are given insights across the grimoire tradition into allied texts such as the Grand Grimoire and Red Dragon, the Key of Solomon, the Lemegeton, Abramelin, Honorius and the Black Pullet. This is a treasure trove for the student of magic. Stratton-Kent reveals a grimoire tradition with roots in the Graeco-Egyptian magical papyri and the necromancy of the goês.
The True Grimoire is an elemental and chthonic grimoire of conjuration, pact-making and spell-working. It clearly and concisely explains how to contact and build a relationship with the spirits, and the primary role of the intermediary spirit, whom JSK characterises as ‘akin in a real sense to the Holy Guardian Angel in the Abramelin system.’ The text provides the timing, tools and conjurations for what is an attainable and practical system of magic.
The new edition is augmented by two previously published and out of print essays by the author: ‘ The Spell for Success’ gives a comprehensive analysis of a key part of the Grimorium Verum ritual, which it shares with a number of other Solomonic works, but which originates conceptually in pre-Solomonic magic; and ‘The Conjuration of Nebiros,’ which details a complete conjuration from the author’s personal work, illustrating the entire process and contextualising it.
The book has been redesigned and typeset by Alkistis Dimech, with necromantic emblems by Artem Grigoryev. In addition, the hardback and fine edition are issued with a letterpress print of The Prayer of the Salamanders.