Second Hand / Antiquarian
For People who Laugh – Showing How, Through Woman, Came Laughter into the World
by Adair Welcker
Published: Adair Welcker, San Francisco 1904
Condition: Good, no dust jacket. An ex-library book, from the Edinburgh Lodge of the Theosophical Society. There is a library plate attached to the inside of the front board. On the front flyleaf, possibly from around the time the book was published, someone has written in blue fountain pen the words of dedication purportedly inscribed by the author in the copy sent to the German Emperor. Also an extra page has been inserted just prior to publication with a concise statement by the author outlining his aim. This page features an additional inscription by the same hand as the one on the front flyleaf drawing attention to the author’s mention of a copy sent to the Archbishop of Canterbury. The binding is firm, the pages (apart from the inscriptions mentioned) are clean and unmarked.
Adair Welcker (1858-1926) was a California-based lawyer. His works, including plays and poems, drew on science, law journalism and historical research. He styled himself ‘the Sacramento Shakespeare’. The response of critics at the time was scorn and bewilderment. Despite rejection from commercial publishers he self-published and sent copies of his works to major libraries and universities worldwide. The University of Chicago keeps an extensive archive of his writings. He argues in this work that laughter was introduced to the world specifically by women. The text explores how women have have shaped comedy and entertainment from ancient times to the modern era.
£1,195.00
Deluxe edition, limited to Comes in a solander box in marbled quarter Moroccan presentation and foil blocking, the same as the previous deluxes from Atramentous Press. On the inside of the solander there will be a blind embossed AP logo placed in the velvet. The book itself will be swathed in black goat leather, while the book block will consist of a higher quality paper than that which the standard was printed on.
Also, the deluxe edition will comprise of two foil block colours, marbled endpapers, book ribbon, head and tail bands, foil blocking on the inside casement front and back. Comes with an original piece of art by Carolyn Hamilton-Giles (the illustrator).
All in all, this edition is simply a work of art and an excellent display of superior craftmanship!
This enchiridion for the Black Dragon is the first volume for expounding sorcery associated with the dirt track road, which must forever be adumbrated by the outer precinct of the crooked path, for this inner sanctum presents the dirt ridden yet adamantine road which leads to the Black Dragon and the great mystery of telluric sorcery. It began as a realisation of a work that was formed by the Dragon’s Column, this being the working group that went on to contribute towards Andrew Chumbley writing The Dragon Book of Essex. Yet there are some stark contrasts to be made between this book and that, for the reader must know this is an earth bound book. This is to be realised by turning away from the heavens and looking beyond into the defiled depths of those who have fallen into the coils of Azde-Ahab-Haris. By having recognised this rhizomatic network of endless possibilities, the demiurgic force imbibing the ophidian flow has placed confidence in those who work with both hands by transmitting this work. As a result, the book leads the reader through a sequence of ritual actions and interactions with specific daemons associated with points on the Black Dragon, with each point acting as a gateway for reifying the very principle of Being through the notion of becoming. Anticipatory in nature, the trappings of ceremonial magic are here discarded. The sorcerer instead locates the ritual space through flesh in relation to the horizon..The Proklosis Ring. At this non-place the sorcerer is encouraged to follow the instructions and insights contained in this grimoire, for there are steps and measures which must be taken to traverse the Black Dragon’s form. By so doing the horizon becomes the coiled serpent, and the earth becomes the gateway through which to engage with the ophidian source for all our Otherness.
£750.00
Volume 1: The Writings and Images of Austin Osman Spare Edited by Anthony Naylor;
Volume 2: The Artist's Books (1905 - 1927) by Dr. W. Wallace with Foreword by Prof. R. Cardinal;
Volume 3: Michelangelo in a Teacup by F. W. Letchford.
A collection of Austin Osman Spare's art and writings, heavily illustrated and with additional material by Frank Letchford, Clive Harper, William Wallace, and others.
Published by First Impressions, Seattle, 1993-1995. First Trade Hardcover Editions. Three large volumes (small folios: 33cm x 25.5cm), un-paginated (approx. 900 pp), b/w illustrations, bound in black cloth with gilt title and line portrait of Spare to spine and cover, marbled end papers, no dust jackets as issued.
Condition: Clean, unmarked text pages, firm bindings, a few light marks and rubs to boards; very mild dust soiling and foxing to head of Volume 1; slight bumping to top of spine of Volume 2 and 3. In all a near fine set of this spectacular collection of Spare's work. From the collection of Stephen Pochin (Jerusalem Press).
£79.99
Antiquarian / Second Hand
First US edition hardcover, limited to 500 hand-numbered copies. Quality red cloth with gilt Sri Yantra design on upper board, and gilt titling to spine.
Condition: Fine, unread copy. Dustwrapper protected with plastic sleeve which itself has some minor marks, but both dustwrapper as well as interior pristine condition.
The Secrets of the Kaula Circle was not only one of the first books to introduce the secret Indian rituals associated with the Kaula or "Tantric" family to a Western audience, but it was also almost certainly the first book of its kind to be written by a woman. Elizabeth Sharpe was already well known for her studies and translations on Indian history and religions, but chose to write of the Kaula path as a novel, perhaps as it allowed her more dramatic effect, and in part at least she wanted it to serve as a warning, particularly to women, not to be drawn into the web of practice that she described. Her misgivings had been heightened by the apparent adoption of some of the practices by Western occultists, notably Aleister Crowley, whose person and activities she described in most unflattering terms. Although The Secrets of the Kaula Circle did not achieve a wide circulation, a copy did find its way into the hands of "the Beast, " who professed outrage at the thinly-veiled and unflattering portrait of himself, and considered suing the author. This Teitan Press edition of The Secrets of the Kaula Circle includes the complete text of the original 1936 edition, along with a new index, and an Introduction by Dr. David Templeman.