Fragment of a Graeco-Egyptian Work upon Magic – A New Look at an Ancient Text.
Originally published in 1852, all subsequent reprints have simply reproduced the original text and layout; however, this new edition of Fragment of a Graeco-Egyptian Work upon Magic is not merely a reprint of Goodwin’s manuscript. The original text has been reformatted and reset into a new typeset, and, most importantly, the barbarous words that Goodwin chose to leave out have been inserted into the text, thus allowing the reader to make full use of the rituals contained within without having to refer to other texts in order to use them.
While the Betz translation remains the better-known edition, it’s worth noting that Betz is a second-generation translation, once removed, in which Betz translated Preisendanz’s German version. In contrast, Godowin’s was translated directly from the original archaic Greek. Thus, it is closer to the original. This is also the translation that Crowley used to create his ‘Bornless Ritual’.
This edition also includes Goodwin’s comprehensive notes as well as his Lecture to the Cambridge Antiquarian Society, originally published in 1851 and reprinted only once before in a now out-of-print edition.
This new edition also includes the Betz’s translation of the Bornless/Headless ritual for comparison purposes, as well as Crowley's Invocation of the Bornless One. And finally, the original archaic Greek manuscript as presented in The British Museum’s catalogue ‘Greek Papyri in the British Museum: Catalogue With Texts’ from 1893, which is laid out differently from Goodwin’s text and includes the footnotes that contain additional information pertinent to the text. Plus more.
£375.00
First edition, first printing. One of 160 deluxe copies in black linen with blindstamped titles to the spine and a blindstamped motif to the upper board, in dustwrapper. Housed in the original dark grey slipcase. Illustrated with black and white plates.
Condition: Fine / As new.
"The mid-twentieth century witnessed the birth of popular occultism in the West, including an interest in witchcraft. At the forefront of popular witchcraft was Wicca, a recension of ceremonial magic and nature worship advanced by Gerald Gardner and Alex Sanders, now widely regarded as a religion. However, lesser-known streams of the witch-current thrived the shadows, having older historical roots, and linked to an ancient body of practice – witch-bottles, knotted cord spells, curses, exorcisms, sexual magic, and charms ranging from the conjuration of angels to protection of livestock and hearth.
This was Traditional Witchcraft, whose origin in part lies with the sorcery of the cunning-folk of Britain and Colonial America. Though largely avoiding the popular occult limelight, from 1970 onward, elements of Traditional Witchcraft experienced a partial emergence into the public through such publications as Paul Huson’s Mastering Witchcraft, the writings of Robert Cochrane and Evan John Jones, and Andrew Chumbley’s Azoëtia: A Grimoire of the Sabbatic Craft.
Based on over forty years of research and private collaboration with practitioners, Michael Howard’sChildren of Cain is the definitive history of Traditional Witchcraft and its key operatives in Britain and the United States. Supplemented with diverse photographs and illustrations, many appearing for the first time, the book artfully encompasses the unique legacy of Traditional Witchcraft - those who bear the Mark of the Exile as a sign of hidden power: the Children of Cain."
£450.00
Deluxe edition. Hand-bound in full bistre goatskin with slipcase. Limited to 50 copies.
Condition: Fine / As new.
"THREE HANDS PRESS is proud to announce Penumbrae, a collection of thirteen works of Occult Fiction by some of that genre's great luminaries. The locus of this anthology lies in tales that embody a metaphysical position, as opposed to fiction that merely employs metaphysical trappings to enforce a materialist worldview. Occult fiction, by contrast, strives to evoke the energies that inform such symbols, and create a vital experience for the reader. Far beyond mere description, this is work that proves its value through its capacity to seduce, captivate, and incept states of magical consciousness. Like the practice of magic itself, the finest works of occult fiction will be distinguished by their power to evoke an embodied experience, and to tangibly compel shifts in consciousness while arousing the uncommon. It intoxicates the rite of reading as much as it permeates the spaces between readings.
Marriage between the objective and the imaginative often results in an enrichment of existence. All spiritual traditions stand upon a foundation of both worldly Act and transcendent Idea. Idea becomes Image, Image becomes Symbol, Symbol becomes Portal. Through the Act of passing through it, one is thereby transformed. It thus stands to reason that the annals of occultism are lush with fable, poetry, mythology, and tales. A delicate but highly potent quality of this work is the creation of a spirit-trap wherein the words and images themselves act as hosts to the experience itself. Under auspicious conditions, a reader may encounter a tale that hews so closely with their own interior universe that a Key is thereby given."
Penumbrae features a cover image by surrealist painter Mike Davis tales from the following authors:
£999.00
Telesmatic edition, limited to 33 copies.
Two colour foil block to front and back of cover, with single foil block to spine.
Goat leather cover. Munken Smooth paper. Marbled Endpapers. Ribbon bookmark.
Head and Tail Bands. Solander box with marbled cover and leather spine.
Blind embossed AP logo on inside of Solander Box.
Each deluxe will come with a unique original piece of artwork by Carolyn Hamilton-Giles which will be dedicated to each copy, consequently each copy through her art will imbue an aspect of the Baron Citadel.
All in all, this edition is simply a work of art and an excellent display of superior craftmanship!
The Baron Citadel sets out preparatory rituals leading up to the making of the Crossroads. Unlike any other working text, this grimoire also engages with introspective contours for optimising successive ambulatory steps across various stakes (points). Each stake comes with the title of a spirit and yet the actual name of each remains guarded. Why? Because the Work encourages the practitioner to gain a rapport with each spirit, with the view that a name will be given which will be particular to each and every person who dares to undertake the work.
Embedded in folkloric practice, this grimoire set the benchmark for subsequent books by the author, in particular, the Book of the Black Dragon series. Indeed, such a coalition resulted in the Baron Citadel pre-figuring many of the topics that have and will be addressed in the Black Dragon series, so much so, that this title places the practitioner ahead of the curve.
Further qualifications for the authenticity of the Baron Citadel relate to the author’s ritual experiences in Northern Haiti. As a primary source, much of what was learnt during these sojourns was accumulated and then transferred into a ritual setting with a view to it having broader appeal. And yet, further countenance requires us to state that this does not mean that what you have with the Baron is a diluted down version, rather the Work stands as a testament to the ability of the author to distil experiences in Haiti with those he had when working with Andrew Chumbley. Drawing on those experiences and then adding to it a philosophic and explanatory lens, means the Baron Citadel continues to present a vital component in detailing a contemporary rendition of crooked path sorcery.