Here is the first of a meticulously researched and lavishly illustrated three volume work, The Tarot of Marsilio by Christophe Poncet; a landmark inquiry into the origins of the Tarot de Marseille. Against the prevalent view in the academy – that the tarot was never used, before the 18th century, for anything other than card games – Poncet argues that the Tarot de Marseille is a work of esoteric philosophy hidden in plain sight.
Through a careful analysis of artworks, philosophical texts, and the imagery and symbolism of the cards, Poncet places and dates the deck to Florence in the 1470s. Marsilio Ficino, translator of the Corpus Hermeticum and the complete works of Plato, is identified as the likely mastermind behind this tarot. In this first volume, the imagery and meaning of the Chariot, the Devil, the Lovers, Strength, the Hermit, the House of God, Arcanum XIII and the Fool are explored.
As readers of Two Esoteric Tarots will know, Poncet’s investigation is comparable to that of Peter Mark Adams in The Game of Saturn, shedding new light on heterodox thought in the Renaissance.
Christophe Poncet has been on a decades long quest to discover the truth about the Tarot de Marseille and the esoteric ideas encoded in the cards. The Tarot of Marsilio takes us on an extraordinary journey of discovery, from a lost masterpiece of Botticelli in a ruined castle, through the stacks of the Vatican library, artist’s sketchbooks, and works in the collections of the Louvre, the British Museum, and the National Gallery. Poncet brings us into the hermetic thought-world of the circle around the brilliant polymath Marsilio Ficino.
For the tarot reader and occultist, this work opens up a profound understanding of the cards, their history and the context of their creation. With these keys we can read the visual language of the trumps as they were intended, and play the game of Western esotericism at a deeper level. Whether enhancing our divinations or stimulating the practice of talismanic and image magic, Poncet changes forever our understanding of the most archetypal and iconic tarot deck.
Info & condition: Scarlet Imprint 2025. Deluxe Edition, Full Leather Binding, Hand Numbered and Limited to 40 Copies.
£999.00
Telesmatic edition, limited to 33 copies.
Two colour foil block to front and back of cover, with single foil block to spine.
Goat leather cover. Munken Smooth paper. Marbled Endpapers. Ribbon bookmark.
Head and Tail Bands. Solander box with marbled cover and leather spine.
Blind embossed AP logo on inside of Solander Box.
Each deluxe will come with a unique original piece of artwork by Carolyn Hamilton-Giles which will be dedicated to each copy, consequently each copy through her art will imbue an aspect of the Baron Citadel.
All in all, this edition is simply a work of art and an excellent display of superior craftmanship!
The Baron Citadel sets out preparatory rituals leading up to the making of the Crossroads. Unlike any other working text, this grimoire also engages with introspective contours for optimising successive ambulatory steps across various stakes (points). Each stake comes with the title of a spirit and yet the actual name of each remains guarded. Why? Because the Work encourages the practitioner to gain a rapport with each spirit, with the view that a name will be given which will be particular to each and every person who dares to undertake the work.
Embedded in folkloric practice, this grimoire set the benchmark for subsequent books by the author, in particular, the Book of the Black Dragon series. Indeed, such a coalition resulted in the Baron Citadel pre-figuring many of the topics that have and will be addressed in the Black Dragon series, so much so, that this title places the practitioner ahead of the curve.
Further qualifications for the authenticity of the Baron Citadel relate to the author’s ritual experiences in Northern Haiti. As a primary source, much of what was learnt during these sojourns was accumulated and then transferred into a ritual setting with a view to it having broader appeal. And yet, further countenance requires us to state that this does not mean that what you have with the Baron is a diluted down version, rather the Work stands as a testament to the ability of the author to distil experiences in Haiti with those he had when working with Andrew Chumbley. Drawing on those experiences and then adding to it a philosophic and explanatory lens, means the Baron Citadel continues to present a vital component in detailing a contemporary rendition of crooked path sorcery.
£1,195.00
Deluxe edition, limited to Comes in a solander box in marbled quarter Moroccan presentation and foil blocking, the same as the previous deluxes from Atramentous Press. On the inside of the solander there will be a blind embossed AP logo placed in the velvet. The book itself will be swathed in black goat leather, while the book block will consist of a higher quality paper than that which the standard was printed on.
Also, the deluxe edition will comprise of two foil block colours, marbled endpapers, book ribbon, head and tail bands, foil blocking on the inside casement front and back. Comes with an original piece of art by Carolyn Hamilton-Giles (the illustrator).
All in all, this edition is simply a work of art and an excellent display of superior craftmanship!
This enchiridion for the Black Dragon is the first volume for expounding sorcery associated with the dirt track road, which must forever be adumbrated by the outer precinct of the crooked path, for this inner sanctum presents the dirt ridden yet adamantine road which leads to the Black Dragon and the great mystery of telluric sorcery. It began as a realisation of a work that was formed by the Dragon’s Column, this being the working group that went on to contribute towards Andrew Chumbley writing The Dragon Book of Essex. Yet there are some stark contrasts to be made between this book and that, for the reader must know this is an earth bound book. This is to be realised by turning away from the heavens and looking beyond into the defiled depths of those who have fallen into the coils of Azde-Ahab-Haris. By having recognised this rhizomatic network of endless possibilities, the demiurgic force imbibing the ophidian flow has placed confidence in those who work with both hands by transmitting this work. As a result, the book leads the reader through a sequence of ritual actions and interactions with specific daemons associated with points on the Black Dragon, with each point acting as a gateway for reifying the very principle of Being through the notion of becoming. Anticipatory in nature, the trappings of ceremonial magic are here discarded. The sorcerer instead locates the ritual space through flesh in relation to the horizon..The Proklosis Ring. At this non-place the sorcerer is encouraged to follow the instructions and insights contained in this grimoire, for there are steps and measures which must be taken to traverse the Black Dragon’s form. By so doing the horizon becomes the coiled serpent, and the earth becomes the gateway through which to engage with the ophidian source for all our Otherness.
£750.00
Volume 1: The Writings and Images of Austin Osman Spare Edited by Anthony Naylor;
Volume 2: The Artist's Books (1905 - 1927) by Dr. W. Wallace with Foreword by Prof. R. Cardinal;
Volume 3: Michelangelo in a Teacup by F. W. Letchford.
A collection of Austin Osman Spare's art and writings, heavily illustrated and with additional material by Frank Letchford, Clive Harper, William Wallace, and others.
Published by First Impressions, Seattle, 1993-1995. First Trade Hardcover Editions. Three large volumes (small folios: 33cm x 25.5cm), un-paginated (approx. 900 pp), b/w illustrations, bound in black cloth with gilt title and line portrait of Spare to spine and cover, marbled end papers, no dust jackets as issued.
Condition: Clean, unmarked text pages, firm bindings, a few light marks and rubs to boards; very mild dust soiling and foxing to head of Volume 1; slight bumping to top of spine of Volume 2 and 3. In all a near fine set of this spectacular collection of Spare's work. From the collection of Stephen Pochin (Jerusalem Press).