Second Hand / Antiquarian
This comprehensive account of Arthurian in British art in the 19th century offers fresh insights into the significance of the legends. Wide-ranging, both historically and thematically, it moves from Dyce's Arthurian frescoes in the Houses of Parliament in the 1840s to the use of Galahad in First World War memorial imagery. Based on substantial primary research, Poulson relates the visual treatments of the legend both to literature and music and to historical and social developments, such as the rise of nationalism, racial stereotypes, religious and scientific controversy, and debates about women's roles, rights and sexuality. The book also relates images of the dying Arthur to 19th century millennialism and scientific predictions of the death of the sun and the end of life on earth.
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Myth . . . legend . . . or history so steeped in antiquity that we know it in our bones to be true? From Ur in the marshes of 16th-century B. C. Sumer to Troy in the Fenlands of England and the beginnings of London, Marchell Abrahams peels back the centuries to reveal the founding of our country by the Sumerian princess whom the British histories call Albyne. She takes us from the end of Roman kingship in Italy to the quelling of a savage civil war in 5th-century B. C. Britain by Brutus, descendant of King Leir, and his assumption, a thousand years after Albyne, of the High Kingship of an already ancient nation. This is British history.