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Categories:
Esoteric Teaching & Channelling,
Fine & Antiquarian
A Goodly Company by Ethel le Rossignol
£1,000.00
Antiquarian / Second Hand
A series of psychic drawings given through the hand of Ethel le Rossignol as an assurance of survival after death this sequence of designs is shown to open the eyes of all men to the glorious world of spiritual power which lies about them.
[London: printed for the author by] The Chiswick Press [1933]. First Edition.
Hardbound large folio (495 x 370 mm), 70 unpaginated pages illustrated with 35 full-page black and white spirit drawings and 7 tipped-in colour plates (each 320 x 320 mm) with circular illustrations heightened in gilt. Original pale green buckram, lettered in gilt to spine and upper board.
Condition:
Clean, unmarked text pages, contents clean and crisp with vivid colour plates; firm binding, cloth with slight sunning and scratching, mild edge-wear with some fraying to corners; slight creasing of back pastedown - in all a very good copy of this scarce title.
From an article on the College of Psychic Studies website:
"Constance Ethel Le Rossignol was born in Argentina to a family with ancestral roots in Jersey. She studied art in London before serving as a nurse during the First World War. Her artistic career really took off when she started channelling artwork from a spirit she called JPF. It is JPF, she claimed, not Ethel who should be credited for the extraordinary paintings.
Ethel channelled 42 magnificent works of art from JPF. These were exhibited in a 1929 show at the London Spiritual Alliance, which later became The College of Psychic Studies. She compiled the images alongside JPF's transmitted teachings in the 1933 publication A Goodly Company: A series of Psychic Drawings Given Through the Hand of Ethel Le Rossignol as an Assurance of Survival After Death, a copy of which we hold in The College of Psychic Studies' library.
Ethel claims she herself didn't visualise the other world that's so vividly depicted in her artwork. Rather, the spirit of JPF revealed it to her gradually through a transmission of thought, energy and movement. The sinuous lines of colour in Ethel's paintings are expressions of these waves of thought and energy and movement. As JPF transmitted through Ethel on 24 May 1920, "Only the wave of thought is what I send, not a drawing of lines." (https://www.collegeofpsychicstudies.co.uk/enlighten/our-collection-of-ethel-le-rossignol-paintings/)
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Celestial Intelligences by Greg Kaminsky
out of stock - £120.00
Out of print, hardback edition.
Condition: Fine - As New.
The work of Renaissance philosopher Giovanni Pico della Mirandola is both significant and interesting for a number of reasons. First, his writings provide both an approach to, and an understanding of, ancient wisdom traditions (philosophical and religious systems) and the way that we receive them in modern times. This is partly a discovery of how Western society and culture honors these traditions, but tends to be fundamentally disconnected from them in the course of daily life. Ultimately, this is a recognition that the esoteric traditions of the West are fragmentary at best, but also a realization that these fragments are our legacy and by working with them mindfully, we may still traverse a spiritual path that leads from delusion to wisdom. Second, studying Pico and his work reveals the manner in which a fundamentally Jewish esoteric doctrine and tradition –Kabbalah – was adapted and then adopted by Christian philosophers because it was a living, extant tradition and has a monotheistic character. Third, a close reading of Pico’s works reveals new insights into the ways that angels were thought of, and even worked with, in an esoteric and mystical manner Pico is a natural focus for all of these questions because his own work and writings places him not only at the center of these investigations, but also at the center of the rebirth of the Western esoteric tradition. Pico’s 900 Theses and subsequent Apologia (from which his Oration (on the Dignity of Man) is excerpted) contain the foundation for the rediscovery of Western esotericism from the mists of time along with the public declaration that magic and the Cabala were the keys to knowing the truth of religion, the world, and oneself. Pico’s own story of this discovery and the way in which he felt compelled to share it with the world are extraordinary and dramatic, so he is a most suitable vehicle for the expression of these ideas.
Through his writings, we can understand the way in which Western esotericism had been relegated to the dustbin of history before Pico so boldly plucked it from the trash heap to exalt it as it should be. He exposed the manner in which we could see that there exist equivalences and correspondences in various traditions and schools of thought. This can be understood as a sort of syncretism, but also a way to understand that, on some level, truth can be expressed in different ways that may be more accessible to different people in different places at different times. Pico also shows us how a fully extant, living esoteric system can be adapted and appropriated if one feels righteous in doing so. It was the deficiency in Western esotericism that there was no living system as all the ancient religions were dead and gone – except for Judaism. All that was required was the Spanish Inquisition to convert some Kabbalists and then exile them to Italy where they translated for and tutored Pico. From there it was no great task to adapt the once Jewish Kabbalah to a now Christian Cabala. This conversion made all subsequent esoteric practice in the West really flourish and one could say that Pico’s adaptation of the Cabala is the act that has had more influence on Western esoteric thought and practice for the following 500 years and counting than any other.
Lastly, Pico and his philosophy engages with angels and the orders of angels in unique ways to teach a system of thought and action – contemplation really – that is designed to lead to gnosis and/or theosis. The really beautiful thing about Pico’s system is that it perfectly mirrors all great mystical systems of the world in the specific methods that it employs. One of the things I really enjoyed was exploring how Pico’s explanation of how one goes from delusion to wisdom compared with Jewish Kabbalah, but there is ample territory to explore comparisons with many esoteric paths.
Limited standard hardback edition.
Kurukulla: Goddess of Bewitchment by Verónica Rivas
£120.00
Out of print hardback edition.
Condition: Fine - As New.
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Many of these aspects were left aside, however, as her importance and popularity within Tantric Buddhism continued to grow. In Kurukulla, we have a goddess of tribal origins, initially venerated as a protector by various nomadic clans who related her to fertility and material affairs, yet also considered her dangerous and fearsome. Progressively, the goddess was incorporated into the Buddhist pantheon, and during this process, Kurukulla acquired different roles and lost others. Many practices were developed related to issues such as protection against animals and certain diseases, obtaining influential positions in society, love affairs, and even getting rid of one’s enemies.
Kurukulla: Goddess of Bewitchment offers a tantric perspective on a deity considered the goddess of eroticism, the mistress of enchantments and bewitchment, who uses desire as a weapon for transcendence. Practicing with Kurukulla allows us to reach our true nature by making our daily life, our fears and weaknesses, the very source of liberation.
The goddess of the red body represents the pure manifestation of intrinsic wisdom, the primordial energy that nourishes all realms of existence, as well as life and death as complementary opposites.
The rituals and devotionals presented in this book are intended to openly and freely establish a deep connection with the deity. They are shared in a simple and understandable way that will allow practitioners to integrate them into their life easily and completely.
Arca Arcanorum (Deluxe edition) by Arthur Dee
out of stock - £270.00
Deluxe 'Arcanum' edition, limited to 77 hand-numbered copies.
Handbound in full antique burgundy goatskin. Raised bands and hand-tooling to the spine, with a royal blue leather title inlay. Front cover includes a blind debossed six-pointed star symbol with a gold Mercury glyph, housing a unique sun and moon design based on Arca Arcanorum’s original title page illustration, and executed in immaculately sculpted raised relief in gold. Including a Renaissance-period ornamental design blind debossed on both covers, and a rectangular gold frame, with four raised corner devices. Endpapers marbled by Freya Scott at Paperwilds. Duotone head & tail band and burgundy silk ribbon. Presented with a bronze letterpress bookmark and a letterpress broadside featuring a colourful reproduction of the emblem from the Ripley Scroll, which was included in the 1634 MS edition of Arthur Dee’s Arca Arcanorum.
Arca Arcanorum was written in 1634 by the alchemist and royal physician Arthur Dee, the eldest son of the Elizabethan magus John Dee, to celebrate his triumphal consummation of the Great Work and the attainment of the Secret of Secrets. Only a single manuscript of this work exists, executed in Dee’s own handwriting and bequeathed upon his death to the Bodleian Library in Oxford. This is the first time this all-important alchemical treatise is brought to the press, having remained virtually unknown for almost 400 years.
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