Categories:
Esoteric Teaching & Channelling,
Fine & Antiquarian
£1,000.00
Antiquarian / Second Hand
A series of psychic drawings given through the hand of Ethel le Rossignol as an assurance of survival after death this sequence of designs is shown to open the eyes of all men to the glorious world of spiritual power which lies about them.
[London: printed for the author by] The Chiswick Press [1933]. First Edition.
Hardbound large folio (495 x 370 mm), 70 unpaginated pages illustrated with 35 full-page black and white spirit drawings and 7 tipped-in colour plates (each 320 x 320 mm) with circular illustrations heightened in gilt. Original pale green buckram, lettered in gilt to spine and upper board.
Condition:
Clean, unmarked text pages, contents clean and crisp with vivid colour plates; firm binding, cloth with slight sunning and scratching, mild edge-wear with some fraying to corners; slight creasing of back pastedown - in all a very good copy of this scarce title.
From an article on the College of Psychic Studies website:
"Constance Ethel Le Rossignol was born in Argentina to a family with ancestral roots in Jersey. She studied art in London before serving as a nurse during the First World War. Her artistic career really took off when she started channelling artwork from a spirit she called JPF. It is JPF, she claimed, not Ethel who should be credited for the extraordinary paintings.
Ethel channelled 42 magnificent works of art from JPF. These were exhibited in a 1929 show at the London Spiritual Alliance, which later became The College of Psychic Studies. She compiled the images alongside JPF's transmitted teachings in the 1933 publication A Goodly Company: A series of Psychic Drawings Given Through the Hand of Ethel Le Rossignol as an Assurance of Survival After Death, a copy of which we hold in The College of Psychic Studies' library.
Ethel claims she herself didn't visualise the other world that's so vividly depicted in her artwork. Rather, the spirit of JPF revealed it to her gradually through a transmission of thought, energy and movement. The sinuous lines of colour in Ethel's paintings are expressions of these waves of thought and energy and movement. As JPF transmitted through Ethel on 24 May 1920, "Only the wave of thought is what I send, not a drawing of lines." (https://www.collegeofpsychicstudies.co.uk/enlighten/our-collection-of-ethel-le-rossignol-paintings/)
£120.00
Out of print hardback edition.
Condition: Fine - As New.
In Kurukulla: Goddess of Bewitchment – A Devotional Path to the Red Enchantress of Uddiyana, author Verónica Rivas combines academic research with personal experience to offer a theoretical-practical study of Kurukulla, the goddess in Hinduism related to desire, lust, magic, and witchcraft.
Many of these aspects were left aside, however, as her importance and popularity within Tantric Buddhism continued to grow. In Kurukulla, we have a goddess of tribal origins, initially venerated as a protector by various nomadic clans who related her to fertility and material affairs, yet also considered her dangerous and fearsome. Progressively, the goddess was incorporated into the Buddhist pantheon, and during this process, Kurukulla acquired different roles and lost others. Many practices were developed related to issues such as protection against animals and certain diseases, obtaining influential positions in society, love affairs, and even getting rid of one’s enemies.
Kurukulla: Goddess of Bewitchment offers a tantric perspective on a deity considered the goddess of eroticism, the mistress of enchantments and bewitchment, who uses desire as a weapon for transcendence. Practicing with Kurukulla allows us to reach our true nature by making our daily life, our fears and weaknesses, the very source of liberation.
The goddess of the red body represents the pure manifestation of intrinsic wisdom, the primordial energy that nourishes all realms of existence, as well as life and death as complementary opposites.
The rituals and devotionals presented in this book are intended to openly and freely establish a deep connection with the deity. They are shared in a simple and understandable way that will allow practitioners to integrate them into their life easily and completely.
£120.00
£295.00
Palladium Edition, First Printing, Limited to 200 copies.
Printed on Mohawk Superfine 118gsm. Sewn binding with decorative head & tail bands and ribbon marker. Quarter-bound in cloth, foil stamping on spine.
Comes with a cloth-bound presentation slipcase embossed with the Sigil of Lucifer.
130 years ago a French journalist convinced the Vatican that a secret Luciferian cult, hidden at the heart of Freemasonry, was plotting the birth of the Antichrist and the destruction of the Catholic Church.
These dastardly Masons took their marching orders from Satan himself—who appeared in the flesh to his Antipope Albert Pike, every Friday at three o’clock in the afternoon, in Charleston South Carolina.
This journalist’s name was Léo Taxil. It was the hoax of the century.
Secretly written by Taxil, Le Diable au XIXème Siècle is the purported witness account of the mysterious “Doctor Bataille.” Part travel journal and part investigative report, filled with satanic schemes and a rich cast of shady characters, it is a thrilling, lurid, and sensationalist read.
There has never been an English translation… until now.