As far back as we can see in the historical record, Buddhist monks and nuns have offered services including healing, divination, rain making, aggressive magic, and love magic to local clients. Studying this history, scholar Sam van Schaik concludes that magic and healing have played a key role in Buddhism's flourishing, yet they have rarely been studied in academic circles or by Western practitioners. The exclusion of magical practices and powers from most discussions of Buddhism in the modern era can be seen as part of the appropriation of Buddhism by Westerners, as well as an effect of modernization movements within Asian Buddhism. However, if we are to understand the way Buddhism has worked in the past, the way it still works now in many societies, and the way it can work in the future, we need to examine these overlooked aspects of Buddhist practice.
In Buddhist Magic, van Schaik takes a book of spells and rituals--one of the earliest that has survived--from the Silk Road site of Dunhuang as the key reference point for discussing Buddhist magic in Tibet and beyond. After situating Buddhist magic within a cross-cultural history of world magic, he discusses sources of magic in Buddhist scripture, early Buddhist rituals of protection, medicine and the spread of Buddhism, and magic users. Including material from across the vast array of Buddhist traditions, van Schaik offers readers a fascinating, nuanced view of a topic that has too long been ignored.
£9.99
We like to think we understand what's happening around us; that we can determine the path our life takes. But often, things don't go that way - in fact, they rarely do.
What helps us respond to life as it unfolds? To live freely, stay humble and find comfort in difficult times?
In the Swedish sensation I May Be Wrong, former forest monk Björn Natthiko Lindeblad shares his advice on how to face the uncertainty and doubt that is a natural part of life. We don't choose our thoughts. We don't control the shape they take, or what pops into our minds. We can only choose whether or not to believe them.
Infusing the everyday with heart, grace and gentle humour, this is a book to help us all navigate the realities of modern life.
£26.00
£45.99
Limited hardback edition
T. Lobsang Rampa’s autobiography, The Third Eye was an international bestseller in 1956, but the author had to face some awkward questions from critics. There were two possibilities; either he really was a Tibetan lama whose third eye had been physically opened (and who could reveal secrets of levitation, invisibility, gilded extraterrestrials, giant temple cats, etc), or he was really the eccentric son of a plumber from Plympton in Devon.
Rampa would explain himself by discussing transmigration, and over the next quarter of a century (and in another eighteen books) he would reveal the secrets of the human aura, astral travel, UFOs, life on Venus, and the hollow Earth (and hollow Moon), among many other alternative, New Age ideas. For Rampa, there was no wild, left-field belief that was not true.
R.B. Russell has written the first definitive biography of Rampa (also known as Cyril Henry Hoskin). The identity of Rampa may have been conclusively debunked by anybody who knew anything about Tibet, Buddhism, or basic scientific principles, but he would always claim that everything he wrote was true, and until his death in 1980 he doesn’t ever seem to have come out of character.
Russell’s biography of Rampa is accompanied in this volume by three further studies of alternative belief systems that have fascinated him over the years.
Following the biography of Rampa, Russell writes about the Millenarian church, the Brotherhood of the Cross and Star, who believed their leader was Christ and immortal, and that the world would end in 2000. (Spoiler alert: we are still here, and nobody has seen the leader for several years.)
A further essay is a brief look at one of the Church of Scientology’s techniques for recruiting members, the Oxford Capacity Analysis test. Russell argues that the test is based on a series of small, apparently innocuous lies, but he shows that they are indicative of Scientology’s complete disregard for honesty or integrity.
The final essay looks at the Temple of Psychic Youth, the knowing attempt by Genesis P-Orridge to create a modern cult. Was it exploitative and manipulative, or simply an ironic experiment? And how did it backfire when the 1980s tabloids created the Satanic Panic?
The painting on the boards of this book is by Les Edwards. It was first published on the cover of As It Was!, T. Lobsang Rampa, Corgi, 1976.