2nd hardback edition.
Giordano Bruno (1548 - 1600) is at once significant and enigmatic; a 16th-century Wittgenstein whose far-reaching interests and passionate investment in his subject matter carried him far beyond his contemporaries conceptually. By the same token, his commitment to what he considered valid, and his inability to read the room, led him into continuous conflict with his peers, and ultimately spelled his end.
This edition is focused on his magical literature, and is a new translation based on the Tocco and Vitelli research:
Giordano Bruno is more often spoken of than actually read. While his work has been translated and published, and very widely discussed, much of that material is out of print, or accessible only in scarce academic publications. And yet he casts a literal shadow across the subject; his monument in the Campo de' Fiori has become an icon of philosophical, and especially esoteric, free thought.
We hope our new translation of Giordano's Latin magical texts will make him more accessible to a general readership, and as with all our projects, stimulate our reader's interest and imagination in the field as a whole.
This new translation by Paul Summers Young is an essential part of any complete esoteric library.
£69.99
£55.00
£195.00
Antiquarian
Out of print first hardback edition, limited to 350 copies only. Published by Kamuret Press 2021.
Condition: Fine, unread copy. Extremely minor crease to top right dustwrapper, otherwise completely pristine.
Edited, annotated and introduced by Richard Kaczynski, this edition far surpasses that found in the Collected Works: red and black ink has been employed to capture the feel of the 1904 edition; a 50 page introduction by Crowley’s foremost biographer introduces the reader to the many themes to be found throughout the book; finally, copious end-notes further elucidate concepts and ideas in need of clarification.
From the introduction:
‘The Sword of Song is arguably the greatest story never told. It is a book of firsts: his first manifesto, his first talismanic book, his first mystical essays, his first nod to sexual mysteries, and an enticing preview of what was to come in The Book of the Law, the spirit-writing that would form the cornerstone of his philosophy’.