Category:
Christian Mysticism & Gnosticism
£35.00
Antiquarian / Second Hand
Published: Abacus, London 1981
Condition: A paperback in good condition. Binding is firm, spine is uncreased. Pages are yellowed with age, but otherwise clean and unmarked.
"Was Jesus of Nazareth a real historical person or a fictional character in a religious legend? What do the Dead Sea Scrolls reveal about the origins of Christianity? Has there been a conspiracy to suppress information in the Scrolls that contradicts traditional church teaching? John Allegro addresses these and many other intriguing questions in this fascinating account of what may be the most significant archaeological discovery of the twentieth century. As one of the original scholars entrusted with the task of deciphering these ancient documents, Allegro worked on some of the most important texts, including the Biblical commentaries. In 1961, King Hussein of Jordan appointed him to be honorary advisor to the Jordanian government on the Dead Sea Scrolls. In his engaging and highly readable style, Allegro conveys the excitement of the initial archaeological find and takes the reader on a journey of intellectual discovery that goes to the heart of Western culture.Allegro suggests that Christianity evolved out of the Messianic theology of the Essenes, the Jewish sect that wrote the "Dead Sea Scrolls". This new edition of Allegro's book also contains an essay in which he describes the in-fighting among the scholars assigned to study the scrolls and his thirty-year battle to release all of the texts to the public. Allegro was one of the first scholars to protest the long delay in publishing the Scrolls and to criticise his colleagues for their secretive and possessive attitudes. This issue has recently been the focus of national media coverage, with the result that after forty years, open access to all of the Dead Sea Scrolls has finally been permitted. If he had lived to see it, John Allegro would have been very pleased by this resolution of the controversy."
£49.99
2024 paperback edition
IAO is an iconographic proposal, an attempt to illustrate the Gnostic worldview and its myths as understood by the Ophites, a sect of which little is known. It is, perhaps, an exercise of imagination, of what Christian iconography could have resembled if the Ophites had survived. Visually, it follows the sequences of the Speculum Humanae Salvationis and the Biblia Pauperum, reordering their contents according to this heterodox initiative.
“Gnosticism lacks images in a remarkable way, the abstraction of its texts is only equated by the visual silence of its few and discrete remains. And yet the texts are filled with images!
“These images are, in fact, visions, allegories, and myths of a yet unexplored richness. And the ambitious proposal here is to consolidate an iconographic programme…”
Central to this initiative is the reconstruction of the Ophite diagram described by Origen of Alexandria in Contra Celsum – a complex system in which their whole cosmic vision was integrated.
“The three axis, which the images will revolve around, are three distinctive topics of the gnostic worldview: The demiurge (and his relation to the manifested world), the myth of Sophia (and the female aspects of the divine), and the ophite Christology, or the saviour as a serpent.”
IAO rejects the commonly held notion of Gnosticism as a mere form of dualism within Christianity, and explores its relationship with other religions – if only by conceptual coincidence, following Edward Conze’s comparison between Buddhism and Gnosis.
Moreover, the Ophites, by declaring Christ to be an incarnation of the Serpent of Genesis, stood outside the moral spectrum of what is now understood as Christianity. Instead, notions of non-duality can be found in the doctrines of Basilides and the idea of the Pleroma, which are explored within, both conceptually and visually.
£69.99
In the new prologue to Semesilam, Sabogal offers personal insight into the diverse circumstances that played a role in producing this corpus, including the motifs, symbols, and ideas behind them, and further interpretations of various images and themes – Gnostic Symbolism, Angelic Iconography, and Symbols of the Unconscious among others – which have been crucial to his artistic process.
Within this myriad of symbology and meaning, the Sun is at the forefront, a recurring symbol and inspiration for the book’s title, Semesilam – here identified as an inscription often found on the so-called Abrasax Gnostic gemstones, pointing to the everlasting nature of the solar orb.
The material from Handbook of Sacred Anatomy constitutes a Mutus Liber that explores mystical interpretations of human remains, while A Second Nature was significantly inspired by Jungian analyses, delving also into the mysterious Akephalos, the headless figure – symbolically suggestive of both the dragon and contemplation of death – used by surrealist author Georges Bataille, who, in an uncompromising non-rational way, sought to create its own visual associative language.
A new preface by Frater Acher (author of the Holy Daimon trilogy [Scarlet Imprint, 2018; 2020; 2022], Clavis Goêtica [Hadean Press, 2021], and Ingenium [Tadehent Books, 2022]), and an epilogue by Gabriel McCaughry (founder and owner of Anathema Publishing Ltd., and author of (h)Aurorae, [Anathema Publishing, 2018] also illustrated by José), both give testimony to Sabogal’s long-standing personal, literary, and artistic relationships – the fruits of which have taken the form of several publications and have inspired the artwork compiled here.
Semesilam features a new and carefully designed layout by artist and typographer Joseph Uccello, which enhances the presentation of this collection, thereby making it available as a fine edition, showcasing material that has been otherwise out of print for a considerable while. Certainly, a worthy addition for those who are interested in José Gabriel’s body of work.
£10.99