Category:
Christian Mysticism & Gnosticism
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In March 2011, The Sunday Times ran an article on the discovery of a mysterious cache of palm-sized, ring-bound books made of lead. These lead codices, as they have become known, contain mysterious symbols and inscriptions. One tablet in particular features a portrait of Jesus and has preserved the seven seals that would have bound it together along its left-hand side. David and Jennifer Elkington photographed the books, brought samples to the UK for analysis, and assembled a team of eminent scholars to study them.
At the same time, the books were quickly becoming an international phenomenon, the Israelis and Jordanians began a very public dispute over the location of the site where they were discovered. Convinced that the codices are the earliest Christian documents ever found, the Elkingtons put their reputations on the line as they raced to authenticate the find amidst an array of vested interests which sought to suppress them.
In their quest to crack the code, the Elkingtons have been subjected to personal threat but they have continued the fight to ensure the world understands the importance of the codices, which may well pre-date the New Testament. Their significance in our understanding of early Christianity cannot be underestimated.
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2024 paperback edition
IAO is an iconographic proposal, an attempt to illustrate the Gnostic worldview and its myths as understood by the Ophites, a sect of which little is known. It is, perhaps, an exercise of imagination, of what Christian iconography could have resembled if the Ophites had survived. Visually, it follows the sequences of the Speculum Humanae Salvationis and the Biblia Pauperum, reordering their contents according to this heterodox initiative.
“Gnosticism lacks images in a remarkable way, the abstraction of its texts is only equated by the visual silence of its few and discrete remains. And yet the texts are filled with images!
“These images are, in fact, visions, allegories, and myths of a yet unexplored richness. And the ambitious proposal here is to consolidate an iconographic programme…”
Central to this initiative is the reconstruction of the Ophite diagram described by Origen of Alexandria in Contra Celsum – a complex system in which their whole cosmic vision was integrated.
“The three axis, which the images will revolve around, are three distinctive topics of the gnostic worldview: The demiurge (and his relation to the manifested world), the myth of Sophia (and the female aspects of the divine), and the ophite Christology, or the saviour as a serpent.”
IAO rejects the commonly held notion of Gnosticism as a mere form of dualism within Christianity, and explores its relationship with other religions – if only by conceptual coincidence, following Edward Conze’s comparison between Buddhism and Gnosis.
Moreover, the Ophites, by declaring Christ to be an incarnation of the Serpent of Genesis, stood outside the moral spectrum of what is now understood as Christianity. Instead, notions of non-duality can be found in the doctrines of Basilides and the idea of the Pleroma, which are explored within, both conceptually and visually.
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Man’s most fundamental needs may be summed up as the need for Knowledge, for Love, and for a Way to salvation. At the present time many people feel cut off from any true meaning of existence, and the rush and personal worry of modern life as well as inner states appear to make it more and more difficult to satisfy these needs, to find a fundamental basis of living traditions, but people seldom have the necessary discrimination or guidance, and many soon lose heart or go astray.
Gnosis expounds different aspects of the great Traditions, including a remarkable section on the Chrisitan tradition, and points ways towards the Wisdom, Love and Sanctity which are the fruits of spiritual realization, and the distinguishing purpose of man’s existence.