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Witchcraft and Wicca
£35.00
Free, pagan, transgressive: worshippers of Pan, devotees of Diana. The men and women who meet under a full moon in the wild woods danced, sing, made music, and made love; in the home they make potions and mutter spells, be it to curse or cure. The witch image infused the European imagination down the centuries, appearing in court records, prose, and poetry. The impulse the literature described finally became a practiced mystery religion in the twentieth century, in the form of Wicca as it coalesced in the New Forest in the 1930s and 30s. The poems and passages in this book illustrate the supportive imagination of the New Forest Coven and its most famous initiate, Gerald Gardner. They date from the late medieval period through the Edwardian age, and all were instrumental, influential - inspiring early pagans, and hopefully, too, readers today.
Christina Oakley Harrington is Treadwell’s founder and presiding spirit. She was voraciously interested in spirituality and magic since childhood, and grew up in West Africa, Burma, and Chile, only moving to the West at the age of fifteen. In her early twenties, she was heartened to discover Europe’s own native religious traditions and has been a pagan ever since. A former academic, she left university life in 2001 to establish Treadwell’s. These days she serves as a consultant for programs and projects but is usually at the shop. She is the author of two books and numerous articles and was co-founder and literary editor of Abraxas: International Journal for Esoteric Studies.
£95.00
Limited Book and Deck set.
The Serpent Ikons: A Sorcerous Distortion of the Tarot de Marseille Major Arcana is a card deck, philosophical commentary, and grimoire; combining at the very heart of its creation primal art, writing, and magickal practice. Forged in the fire of passion for the Mysteries, the Serpent Ikons are an oblation to the Self and its Daemon in the most sacred of experiences – one’s Life as a deliberate, Initiatory journey fashioned by the creativity and will of the magician.
The Serpent Ikons have their roots in the revolt against any religious authority imposing a singular and unilateral relationship with spiritual forces. They embrace the Witch’s way; that torturous path that defies dogma and distorts order. In The Serpent Ikons, the major arcana of the Tarot de Marseille have been subverted to act as a transgression of the Tarot tradition: the Operant needs only the Self for guidance, and prognostications are consciously chosen then brought into being through ritual with one’s Daemon.
£22.99
Always, the Devil is presented as a beacon of decadence and indulgence, whether fair or foul. And, whether droll or tragic, he does – in spite of his bad press – appear always to have our best interests at heart. Perhaps this is why many of us have a soft spot for this notorious rebel who reflects, as he does, the all too human element within. As supreme chimera, he is without peer; his amorphous ambiguity allows him to cross continents, cultures, and time effortlessly; he afflicts art and society in ever more creative and challenging ways… To know his work, we must seek what lies beneath the final mask.
out of stock - £79.99
Hand-numbered, limited edition.
The Discoverie of Witchcraft, published by Reginald Scot in 1584, is a groundbreaking work that challenges the existence of witchcraft and the widespread persecution of alleged witches. It is special for its comprehensive documentation of magical practices, spells, and conjurations, making it one of the earliest compendiums of magic and witchcraft. While aiming to debunk superstitions, Scot meticulously catalogued the occult knowledge of his time, preserving a wealth of information about historical magical traditions. The book promotes scepticism and rationalism while serving as an invaluable resource on early modern occultism.
Scot was deeply motivated by a desire to oppose the irrational and un-Christian prosecution of alleged witches. He held the Roman Catholic Church largely responsible for perpetuating these superstitions and targeted prominent writers such as Jean Bodin, author of Démonomanie des Sorciers, and Jacobus Sprenger, co-author of the infamous Malleus Maleficarum. In contrast, Scot respected figures like Heinrich Cornelius Agrippa and Johann Weyer, adopting some of their more rational views on demonology.