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£45.00
Ray Russell was not at the crossroads when Robert Johnson met the devil, and he didn’t see Elvis Presley perform live. He wasn’t at Woodstock, or Altamont, or on the roof of the Apple Building. To his enduring frustration, he didn’t get to see The Sex Pistols in Manchester at the Lesser Free Trade Hall in June 1976, because he was only ten years old.
There will be many others who are just as passionate about music as Russell, who also failed to be in the audience at seminal moments in music history. But, like him, they own records that mean the world to them, and have seen bands play who blew them away. The point is, we all treasure our own personal musical histories because they enrich our lives. This book is a celebration of being a committed music fan.
Ray Russell co-runs Tartarus Press with his partner, Rosalie Parker. He formed a band at seventeen and discovered he couldn’t sing. Close friends released a record which used his lyrics, but John Peel played another of their songs. He ran a record label for a month, worked in a record shop and has released a few records of his own music.
Russell has written a number of short story collections and four novels, She Sleeps (2017), Waiting for the End of the World (2020), Heaven’s Hill (2022) and The Woman Who Fell to Earth 2025. Among Ray Russell’s other non-fiction works are Occult Territory: An Arthur Machen Gazetteer (2019), Past Lives of Old Books and Other Essays (2020), Fifty Forgotten Books (2022) and Robert Aickman: A Biography (2022).
£40.00 £50.00
***PRE-SALE OFFER***
We are offering a 20% DISCOUNT on all pre-orders made for this title until our copies have arrived from the publisher. The scheduled publication date is 20th May 2025.
New edition of Crowley's last book, which has been out of print from many years, with an introduction and notes by Alan Chapman. Edited by Duncan Barford and Alan Chapman.
Casebound in Windsor cloth with Smyth sewn binding, printed endpapers, head and tail bands and a ribbon marker.
Let Aleister explain everything in this collection of letters designed to answer the many questions a student might put to the old master.
For the first time this edition includes the complete set of 93 letters - unabridged, organised and annotated as originally intended.
'Magick Without Tears' is prefaced by a critical introduction to the life and work of Aleister Crowley that radically redefines our understanding of his place in the history of Western Esotericism.
£30.00
The British-born artist Leonora Carrington (1917–2011) is one of the more fascinating figures to emerge from the Surrealist movement. As both a writer and painter, she was championed early by André Breton and joined the exiled Surrealists in New York, before settling in Mexico in 1943. The magical themes of Carrington’s otherworldly paintings are well-known, but the recent discovery of a suite of tarot designs she created for the Major Arcana was a revelation for scholars and fans of Carrington alike. Drawing inspiration from the Tarot of Marseille and the popular Waite-Smith deck, Carrington brings her own approach and style to this timeless subject, creating a series of iconic images. Executed on thick board, brightly coloured and squarish in format, Carrington’s Major Arcana shines with gold and silver leaf, exploring tarot themes through what Gabriel Weisz Carrington describes as a ‘surrealist object’.
This tantalising discovery, made by the curator Tere Arcq and scholar Susan Aberth, has placed greater emphasis upon the role of the tarot in Carrington’s creative life and has led to fresh research in this area. For this new edition of the Major Arcana deck, Susan Aberth and Tere Arcq have written an insightful essay that outlines Carrington’s life and provides an essential analysis of the divinatory meanings of each of the cards.
£39.99
Before Aleister Crowley, before Arthur Edward Waite and Pamela Colman Smith, before the Golden Dawn, before Papus, Éliphas Lévi, and Etteilla, the first author to describe an occult version of the Tarot was Louis-Raphaël-Lucrèce de Fayolle, comte de Mellet, writing in Antoine Court de Gébelin’s, 1781, eighth volume of his monumental encyclopedia, Monde primitif.
The comte de Mellet associated the Tarot’s trumps with the Classical Ages of Man: the Age of Gold, the Age of Silver, and the Age of Iron. He correlated the Trumps with the letters in the Hebrew alphabet, he described the minor suits in detail, and he provided the earliest discussion of a divination technique for the Tarot.