Categories:
Magick & Occult,
Witchcraft and Wicca
£7.99
The notion of paganism as a wild and primitive force has exerted a huge influence on folk horror. In fiction, pagan rituals are often seen as primitive and barbarous, but also as an antidote to repression and conventionalism. What have these Wild Gods represented, and what do they represent now? How did these ideas find their way into modern Britain? From the cult of Pan in Edwardian England to 1970s Satanists, from Bacchanals in Buckinghamshire to the echo of voodoo drums in Cornwall, from ritual madness to sex magick. Amidst the idyllic English countryside, the Wild Gods awaken to threaten everything that is respectable.
Featuring words by Alan Moore, Katy Soar, Melissa Edmundson, Ruth Heholt, John Reppion, Anna Milon, and K. A. Laity. Artwork by Occult Party, Joe Gough, and Richard Wells. Edited by Maria J. Pérez Cuervo.
£13.99 £16.99
£45.00
Limited Hardcover edition
The Witching-Other: Explorations and Meditations on the Existential Witch by Peter Hamilton-Giles, instigator and co-founder of the Dragon's Column being the body of initiates that went on to contribute material that would eventually be featured albeit in edited form in Andrew Chumbleys' Dragon Book of Essex. Also Peter Hamilton-Giles has authored The Afflicted Mirror: The Study of Ordeals and Making of Compacts and The Baron Citadel: The Book of the Four Ways both of which were published by Three Hands Press.
£29.99
In the beginning was the word, and for as long as there has been language, there has been power within the use of words. Incantations and spoken charms apply nuance, narrative, rhyme, and cadence to achieve magical effects, commonly divided into healing, hexing, and procuring. Modern academic scholarship, focusing on their historical relevance, refers to magical narrative charms as historiolae, which are explored here within numerous cultures of antiquity including Sumerian, Egyptian, Greek, and Indian through to Norse and Christian examples.
The author’s native Scandinavian tradition of troll formulae uses short narratives with a powerful protagonist (such as Jesus, saints, Mary, three maidens, mythical figures) performing the required action to heal, or hex. The narrative recounts a series of events, which the speaker through sympathetic magic manifests into action through the power of the protagonist and their actions. The story-telling aspect of the charms also provides a visual component to the charm, activating the power of imagination in both speaker and (if appropriate) recipient.
Through his exploration of the components of historiolae and associated ritual components, Carl Nordblom lucidly and concisely demonstrates the practice of narrative charms, equipping the reader with everything needed to incorporate or enhance their use in personal practice. And the word was with magic, and the word was magic.