Categories:
Magick & Occult,
Witchcraft and Wicca
£7.99
The notion of paganism as a wild and primitive force has exerted a huge influence on folk horror. In fiction, pagan rituals are often seen as primitive and barbarous, but also as an antidote to repression and conventionalism. What have these Wild Gods represented, and what do they represent now? How did these ideas find their way into modern Britain? From the cult of Pan in Edwardian England to 1970s Satanists, from Bacchanals in Buckinghamshire to the echo of voodoo drums in Cornwall, from ritual madness to sex magick. Amidst the idyllic English countryside, the Wild Gods awaken to threaten everything that is respectable.
Featuring words by Alan Moore, Katy Soar, Melissa Edmundson, Ruth Heholt, John Reppion, Anna Milon, and K. A. Laity. Artwork by Occult Party, Joe Gough, and Richard Wells. Edited by Maria J. Pérez Cuervo.
£95.00
Limited Book and Deck set.
The Serpent Ikons: A Sorcerous Distortion of the Tarot de Marseille Major Arcana is a card deck, philosophical commentary, and grimoire; combining at the very heart of its creation primal art, writing, and magickal practice. Forged in the fire of passion for the Mysteries, the Serpent Ikons are an oblation to the Self and its Daemon in the most sacred of experiences – one’s Life as a deliberate, Initiatory journey fashioned by the creativity and will of the magician.
The Serpent Ikons have their roots in the revolt against any religious authority imposing a singular and unilateral relationship with spiritual forces. They embrace the Witch’s way; that torturous path that defies dogma and distorts order. In The Serpent Ikons, the major arcana of the Tarot de Marseille have been subverted to act as a transgression of the Tarot tradition: the Operant needs only the Self for guidance, and prognostications are consciously chosen then brought into being through ritual with one’s Daemon.
£13.99 £16.99
£22.99
Always, the Devil is presented as a beacon of decadence and indulgence, whether fair or foul. And, whether droll or tragic, he does – in spite of his bad press – appear always to have our best interests at heart. Perhaps this is why many of us have a soft spot for this notorious rebel who reflects, as he does, the all too human element within. As supreme chimera, he is without peer; his amorphous ambiguity allows him to cross continents, cultures, and time effortlessly; he afflicts art and society in ever more creative and challenging ways… To know his work, we must seek what lies beneath the final mask.