Categories:
Magick & Occult,
Witchcraft and Wicca
£7.99
Malefice (n): mal·e·fice \ˈmaləfə̇s\
A piece of evil sorcery. An evil spell or enchantment.
Curses and hexes are a recurring trope in folk horror and occult fiction. They’re active forces, invisible and unstoppable, disrupting the social order and threatening the Establishment.
In The Malefice Issue we explore the complex relationships of witchcraft and magic with structures of power, and analyse the fear of malefice throughout history. Where do we place the Other, and why do we dread it? Does it wander the untamed landscapes of the north? Is it hidden in the green meadows of the English Arcadia? Does it live within the walls of a respectable institution? Or has it travelled from a faraway land?
Power and fear, subversion and repression, exclusion and belonging. The third issue of HELLEBORE is a history of our anxieties, because, as Shirley Jackson said, “to learn what we fear is to learn who we are”.
Featuring words by Catherine Spooner, Rebecca Baumann, Verity Holloway, Thomas Waters, Catherine Winter-Hébert and Finn Robinson, Thérèse Taylor, Maria J. Pérez Cuervo, and Colin J. McCracken. Artwork by Paul Watson, Nell Latimer, and Nathaniel Winter-Hébert. Edited by Maria J. Pérez Cuervo.
£95.00
Limited Book and Deck set.
The Serpent Ikons: A Sorcerous Distortion of the Tarot de Marseille Major Arcana is a card deck, philosophical commentary, and grimoire; combining at the very heart of its creation primal art, writing, and magickal practice. Forged in the fire of passion for the Mysteries, the Serpent Ikons are an oblation to the Self and its Daemon in the most sacred of experiences – one’s Life as a deliberate, Initiatory journey fashioned by the creativity and will of the magician.
The Serpent Ikons have their roots in the revolt against any religious authority imposing a singular and unilateral relationship with spiritual forces. They embrace the Witch’s way; that torturous path that defies dogma and distorts order. In The Serpent Ikons, the major arcana of the Tarot de Marseille have been subverted to act as a transgression of the Tarot tradition: the Operant needs only the Self for guidance, and prognostications are consciously chosen then brought into being through ritual with one’s Daemon.
£22.99
Always, the Devil is presented as a beacon of decadence and indulgence, whether fair or foul. And, whether droll or tragic, he does – in spite of his bad press – appear always to have our best interests at heart. Perhaps this is why many of us have a soft spot for this notorious rebel who reflects, as he does, the all too human element within. As supreme chimera, he is without peer; his amorphous ambiguity allows him to cross continents, cultures, and time effortlessly; he afflicts art and society in ever more creative and challenging ways… To know his work, we must seek what lies beneath the final mask.
out of stock - £79.99
Hand-numbered, limited edition.
The Discoverie of Witchcraft, published by Reginald Scot in 1584, is a groundbreaking work that challenges the existence of witchcraft and the widespread persecution of alleged witches. It is special for its comprehensive documentation of magical practices, spells, and conjurations, making it one of the earliest compendiums of magic and witchcraft. While aiming to debunk superstitions, Scot meticulously catalogued the occult knowledge of his time, preserving a wealth of information about historical magical traditions. The book promotes scepticism and rationalism while serving as an invaluable resource on early modern occultism.
Scot was deeply motivated by a desire to oppose the irrational and un-Christian prosecution of alleged witches. He held the Roman Catholic Church largely responsible for perpetuating these superstitions and targeted prominent writers such as Jean Bodin, author of Démonomanie des Sorciers, and Jacobus Sprenger, co-author of the infamous Malleus Maleficarum. In contrast, Scot respected figures like Heinrich Cornelius Agrippa and Johann Weyer, adopting some of their more rational views on demonology.