Categories:
Magick & Occult,
Witchcraft and Wicca
£7.99
From the Witch of Endor to Aleister Crowley, from the Satanic feminism of the suffragette era through to the current occult revival, The Summoning Issue delves into the history of witchcraft, magic, and the occult to analyse the impulses behind acts of conjuration: the thirst for forbidden knowledge, the pursuit of liberation, and the desire for wealth, status, and fame.
Spirits or deities, angels or demons. The calling of a supernatural agent may bring power, but also comes with many risks. In these pages, games of cards usher in cloven-footed strangers, runic inscriptions conjure up demons, a communal warning is uttered every Bonfire Night, and the pagan dead rise from ancient barrows.
HELLEBORE is a collection of writings and essays devoted to folk horror and the themes that inspire it: folklore, myth, history, archaeology, psychogeography, and the occult.
Featuring words by Christine Ferguson, Victoria Anne Pearson, Per Faxneld, Efram Sera-Shriar, John Reppion, Katherine Weikert, Verity Holloway, Matthew Melvin-Koushki, and Francis Young. Artwork by Courtney Brooke (Lightwitch), Ellen Rogers, and Nathaniel Hébert.
£95.00
Limited Book and Deck set.
The Serpent Ikons: A Sorcerous Distortion of the Tarot de Marseille Major Arcana is a card deck, philosophical commentary, and grimoire; combining at the very heart of its creation primal art, writing, and magickal practice. Forged in the fire of passion for the Mysteries, the Serpent Ikons are an oblation to the Self and its Daemon in the most sacred of experiences – one’s Life as a deliberate, Initiatory journey fashioned by the creativity and will of the magician.
The Serpent Ikons have their roots in the revolt against any religious authority imposing a singular and unilateral relationship with spiritual forces. They embrace the Witch’s way; that torturous path that defies dogma and distorts order. In The Serpent Ikons, the major arcana of the Tarot de Marseille have been subverted to act as a transgression of the Tarot tradition: the Operant needs only the Self for guidance, and prognostications are consciously chosen then brought into being through ritual with one’s Daemon.
£79.99
Hand-numbered, limited edition.
The Discoverie of Witchcraft, published by Reginald Scot in 1584, is a groundbreaking work that challenges the existence of witchcraft and the widespread persecution of alleged witches. It is special for its comprehensive documentation of magical practices, spells, and conjurations, making it one of the earliest compendiums of magic and witchcraft. While aiming to debunk superstitions, Scot meticulously catalogued the occult knowledge of his time, preserving a wealth of information about historical magical traditions. The book promotes scepticism and rationalism while serving as an invaluable resource on early modern occultism.
Scot was deeply motivated by a desire to oppose the irrational and un-Christian prosecution of alleged witches. He held the Roman Catholic Church largely responsible for perpetuating these superstitions and targeted prominent writers such as Jean Bodin, author of Démonomanie des Sorciers, and Jacobus Sprenger, co-author of the infamous Malleus Maleficarum. In contrast, Scot respected figures like Heinrich Cornelius Agrippa and Johann Weyer, adopting some of their more rational views on demonology.
£22.99
Always, the Devil is presented as a beacon of decadence and indulgence, whether fair or foul. And, whether droll or tragic, he does – in spite of his bad press – appear always to have our best interests at heart. Perhaps this is why many of us have a soft spot for this notorious rebel who reflects, as he does, the all too human element within. As supreme chimera, he is without peer; his amorphous ambiguity allows him to cross continents, cultures, and time effortlessly; he afflicts art and society in ever more creative and challenging ways… To know his work, we must seek what lies beneath the final mask.