Second Hand / Antiquarian
London Pride by Phyllis Bottome
Published: Faber and Faber, London 1942.
Condition: Good/Fair, no dust jacket. An ex-library book from the Besant Memorial Library. Boards are worn, but fully intact with no significant bumps or frayed edges. Pages are yellowed with age but otherwise clean and unmarked, binding is good.
Phyllis Bottome trained as a psychologist under Alfred Adler in Vienna in the 1920’s. While there she and her husband set up a school in Kitzbuhel. Several of her pupils went on to become well known authors, Among these were Ian Fleming and Cyril Connolly. In 1960 Fleming wrote to them saying that his life with them both was one of his most cherished memories. It has been argued that he took the idea of James Bond from the character Mark Chalmers in Bottome’s spy novel ‘The Lifeline’. Cyril Connolly wrote about his time at the school in his early work ‘The Unquiet Grave’. Her study under Alfred Adler left its mark in her work. In her novels she treats the struggles of the mind with the gravity often reserved for the supernatural. Set in wartime London in the summer of 1940, this novel tells of the Blitz as seen through the eyes of a seven year old boy Ben, named after Big Ben, whose mother is a charwoman and father a docker, living in the East End of London. First published in 1941, this is the second impression published the following year.
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Ethel Archer (1885-1962), the daughter of a clergyman, was born in Sussex, and expelled from school at the age of fourteen for asking questions in Scripture class. In 1908 she married the aspiring artist Eugene Wieland, and lived with him in West London. The couple made the acquaintance of Aleister Crowley, joined his A∴A∴ magical organization, and set up a publishing company called Wieland and Co., to publish Crowley’s periodical The Equinox, as well as other texts, including Archer’s first poetry collection The Whirlpool (1911). She published two other books, Phantasy and Other Poems (1930) and the occult novel The Hieroglyph (1932).
This 32-page chapbook assembles together twelve poems never collected in the author’s lifetime, which originally appeared in such places as The Equinox and The Occult Review.
Paperback.