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Christian Mysticism & Gnosticism
Power and Purity – Cathar Heresy in Medieval Italy by Carol Lansing
£60.00
Second Hand / Antiquarian
Published: Oxford University Press, Inc., New York 1998
Condition: Fine. Dust jacket unclipped, in protective cellophane wrapper. Binding firm, pages clean and unmarked.
"atharism was a popular medieval heresy based on the belief that the creation of humankind was a disaster in which angelic spirits were trapped in matter by the devil. Their only goal was to escape the body through purification. Cathars denied any value to material life, including the human body, baptism, and the Eucharist, even marriage and childbirth. What could explain the long popularity of such a bleak faith in the towns of southern France and Italy?
Power and Purity explores the place of cathar heresy in the life of the medieval Italian town of Orvieto. Based on extensive archival research, it details the social makeup of the Cathar community and argues that the heresy was central to the social and political changes of the 13th century. The late 13th-century repression of Catharism by a local inquisition was part of a larger redefinition of civic and ecclesiastical authority. Author Carol Lansing shows that the faith attracted not an alienated older nobility but artisans, merchants, popular political leaders, and indeed circles of women in Orvieto as well as Florence and Bologna. Cathar beliefs were not so much a pessimistic anomaly as a part of a larger climate of religious doubt. The teachings on the body and the practice of Cathar holy persons addressed questions of sexual difference and the structure of authority that were key elements of medieval Italian life. The pure lives of the Cathar holy people, both male and female, demonstrated a human capacity for self-restraint that served as a powerful social model in towns torn by violent conflict. This study addresses current debates about the rise of persecution, and argues for a climate of popular toleration. Power and Purity will appeal to historians of society and politics as well as religion and gender studies."
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The Search for Truth by John Temple
£40.00
The Search for Truth is a unique investigation in twelve chapters of the occult secrets in the Bible, its Mystery Language, and their origin in the Wisdom Teachings of ancient Egypt. Throughout the book, occult writer and theologian John Temple discusses some of the mystery keys without which it is impossible to unlock the hidden meaning concealed within the many biblical stories, symbols and sacred teachings, some of which pre-date Christianity by many millenia.
Comes with a letterpress broadside with an original illustration by the artist Kateryna Zubakhina.
Hardback edition limited to 500 copies.
IAO: Ophite Iconography by José Gabriel Alegría Sabogal
£49.99
2024 paperback edition
IAO is an iconographic proposal, an attempt to illustrate the Gnostic worldview and its myths as understood by the Ophites, a sect of which little is known. It is, perhaps, an exercise of imagination, of what Christian iconography could have resembled if the Ophites had survived. Visually, it follows the sequences of the Speculum Humanae Salvationis and the Biblia Pauperum, reordering their contents according to this heterodox initiative.
“Gnosticism lacks images in a remarkable way, the abstraction of its texts is only equated by the visual silence of its few and discrete remains. And yet the texts are filled with images!
“These images are, in fact, visions, allegories, and myths of a yet unexplored richness. And the ambitious proposal here is to consolidate an iconographic programme…”
Central to this initiative is the reconstruction of the Ophite diagram described by Origen of Alexandria in Contra Celsum – a complex system in which their whole cosmic vision was integrated.
“The three axis, which the images will revolve around, are three distinctive topics of the gnostic worldview: The demiurge (and his relation to the manifested world), the myth of Sophia (and the female aspects of the divine), and the ophite Christology, or the saviour as a serpent.”
IAO rejects the commonly held notion of Gnosticism as a mere form of dualism within Christianity, and explores its relationship with other religions – if only by conceptual coincidence, following Edward Conze’s comparison between Buddhism and Gnosis.
Moreover, the Ophites, by declaring Christ to be an incarnation of the Serpent of Genesis, stood outside the moral spectrum of what is now understood as Christianity. Instead, notions of non-duality can be found in the doctrines of Basilides and the idea of the Pleroma, which are explored within, both conceptually and visually.
Semesilam: The Eternal Sun by José Gabriel Alegría Sabogal
£69.99
In the new prologue to Semesilam, Sabogal offers personal insight into the diverse circumstances that played a role in producing this corpus, including the motifs, symbols, and ideas behind them, and further interpretations of various images and themes – Gnostic Symbolism, Angelic Iconography, and Symbols of the Unconscious among others – which have been crucial to his artistic process.
Within this myriad of symbology and meaning, the Sun is at the forefront, a recurring symbol and inspiration for the book’s title, Semesilam – here identified as an inscription often found on the so-called Abrasax Gnostic gemstones, pointing to the everlasting nature of the solar orb.
The material from Handbook of Sacred Anatomy constitutes a Mutus Liber that explores mystical interpretations of human remains, while A Second Nature was significantly inspired by Jungian analyses, delving also into the mysterious Akephalos, the headless figure – symbolically suggestive of both the dragon and contemplation of death – used by surrealist author Georges Bataille, who, in an uncompromising non-rational way, sought to create its own visual associative language.
A new preface by Frater Acher (author of the Holy Daimon trilogy [Scarlet Imprint, 2018; 2020; 2022], Clavis Goêtica [Hadean Press, 2021], and Ingenium [Tadehent Books, 2022]), and an epilogue by Gabriel McCaughry (founder and owner of Anathema Publishing Ltd., and author of (h)Aurorae, [Anathema Publishing, 2018] also illustrated by José), both give testimony to Sabogal’s long-standing personal, literary, and artistic relationships – the fruits of which have taken the form of several publications and have inspired the artwork compiled here.
Semesilam features a new and carefully designed layout by artist and typographer Joseph Uccello, which enhances the presentation of this collection, thereby making it available as a fine edition, showcasing material that has been otherwise out of print for a considerable while. Certainly, a worthy addition for those who are interested in José Gabriel’s body of work.
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