Sepher Raziel--also called Liber Salomonis--is a full grimoire in the Solomonic tradition from a sixteenth century manuscript. It contains seven books: the Clavis, concerned with astrology and its use in magic, with precise interactions between planets, Signs, and Houses; the Ala, outlining the magical virtues of stones, herbs, and animals; the Tractatus Thymiamatus, which determines perfumes and suffumigations used in the Art; a Treatise of Times detailing the correct hours of the day for each operation; a Treatise on Preparations on ritual purity, and abstinence; Samaim, on the different heavens and their angels; and finally, a Book of Names and their virtues and properties, being seven semiforas of Adam and seven semiforas of Moses.
The Sepher Raziel text is given in two forms: a literal transcription with no changes in spelling or wording and a modern English version.
This volume also includes a foreword which offers an overview of Raziel manuscripts, which represent a number of independent traditions, an essay on the literature of Solomonic magic in English, an introduction to the Sepher Raziel manuscript presented, an appendix on incense nomenclature as a supplement to Tractatus Thymiamatus, a list of printed notices and manuscript sources of Sepher Raziel, and a full bibliography of printed works on Solomonic magic and items of related interest.
£69.99
£55.00
£195.00
Antiquarian
Out of print first hardback edition, limited to 350 copies only. Published by Kamuret Press 2021.
Condition: Fine, unread copy. Extremely minor crease to top right dustwrapper, otherwise completely pristine.
Edited, annotated and introduced by Richard Kaczynski, this edition far surpasses that found in the Collected Works: red and black ink has been employed to capture the feel of the 1904 edition; a 50 page introduction by Crowley’s foremost biographer introduces the reader to the many themes to be found throughout the book; finally, copious end-notes further elucidate concepts and ideas in need of clarification.
From the introduction:
‘The Sword of Song is arguably the greatest story never told. It is a book of firsts: his first manifesto, his first talismanic book, his first mystical essays, his first nod to sexual mysteries, and an enticing preview of what was to come in The Book of the Law, the spirit-writing that would form the cornerstone of his philosophy’.