Antiquarian / Second Hand
Published: Avalonian Aeon Publications, Glastonbury 2013
Condition: A paperback in very good condition. Cover clean, spine uncreased, pages clean and unmarked, binding firm.
From the back cover SIGNS & SECRETS OF THE GLASTONBURY ZODIAC Is an anthology created by a diverse group of multi-talented enthusiasts inspired by the classic, Anthony Roberts-edited compilation, Glastonbury: Ancient Avalon, New Jerusalem. As above so below. “Our land is the image of heaven”. Corpus Hermeticum. Asclepius. A psychogeographical Arthurian Grail extravaganza. Features Investigations into a mysterious past, intimations of an inspirational future. History, poetry, magic, mysticism, myth, music, art. Astrological gnosis. Personal transformation. Includes Previously unpublished article by Katharine Maltwood, discoverer of the Somerset terrestrial zodiac. Incredible roots of Andrew Collins’ Giza cave discovery in his visionary star temple quest. The revelation of the Melkarth landscape alignment, and its relationship to Glastonbury. Sumptuous illustrations, maps, and diagrams, by artist-researcher Yuri Leitch. Honours the lineage John Dee, Frederick Bligh Bond, Mary Caine, Elizabeth Leader, Oliver Reiser, Robert Coon, and others.
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Óðinn’s identity as the Ecstatic God of the Tethers of Law and Death, is least recognised through his Skin-Turning and Shape-shifting techniques as gifts of the highest craft he imparts to a shamanic warrior elite. Those themes are explored in this volume, alighting upon a wide range of magics and histories identified within the Óðinnic cultus. Medieval source materials yield a wealth of information relating to Totemism; Ritual Guising; the Berserkir and Úlfhéðnar as Óðinn’s True Wolf Warriors; Motifs of Magical Beasts in Battle; the Wælceasega as Carrion Host; the Law and Covenants relating to Wǽr-loga; Outlawry; She-Wulves; The Red Thread of Wyrd, Warding and Binding the Dead, Varðlo(k)kur - the call to spirit; Dragons, the Wyrm, and finally, to the malefic sorcery of the Dog Heads of War, The Zmei, The Roggenwolf and the Bukka, whose presence in the wheat, rye and barley knots of the blessed harvest grains, all wend a path through to the real St George, to Green George.
Enchanted thread, girdles, withies and staves, seiðr and the völur are woven through the time-honoured mysteries shared by Beowulf, Grendel and his brimwylf (‘sea-wolf’) mother. Nordic culture drew inspiration and influence from the magical and martial disciplines of the Sámi, Slavic, north-European and Eurasian peoples. Invoking the divine ecstasy of creation, Shamen priests and warriors, stand ‘outside’ time. Óðinn’s antinomian challenges generated considerable friction within societal ‘law.’ The dehumanisation of the skóggarmaðr (wild men of the forest) outlawed for following his rule, rendered them indistinct from the forest-wolf’s status, and were perceived as equal quarry. Transpersonal experiences shaped their realities, relating to identification through a clan totem, namely the wolf, and later the dragon, wyrm and raven, not merely as wild beasts of battle, but of ancestry, mind, of wit and wisdom. Couched in ambiguities, the role of the Valkyrjur,’ the ‘handmaidens of Óðinn is re-evaluated, leading to a new conclusion for their association with (battle) carnage and the ‘Cult of the Dead.’
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Challenging former atrophied or outdated knowledge regarding Óðinn’s acquisition of the runes and the mead of poetry, this extensive and intense study revisits Hávamál, Vǫluspá, Skáldskaparmál, Grímnismál, Heimskringla and Ynglinga Sagas specifically, to unravel and reconnect crucial factors that collectively reveal a magical formula for rebirth and resurrection. These kennings have preserved the threads of mysteries pertaining to Rúnar entrenched in Taboo. Óðinn’s quest of discovery takes him through three historically attested trials as Rites of Passage that find parallel forms in other animistic traditions. His ordeals of Mound, Tree and Sacral Kingship together with an articulation of the role of Hamingja are hitherto connected.