This book is an exploration of the 93 spirits or "star demons" as revealed in the medieval grimoires and classical esoteric texts, and their correspondences in magic and astrology
Stellas Daemonum offers an in-depth analysis of the spirits that appear in several late medieval and early modern grimoires. The book unravels these texts' mythical, etymological, magical, and religious meanings, and draws out their astrological correspondences.
The author shows how the spirit entities featured in these Goetic grimoires can be best understood by studying the celestial nature apparent in the ancient concept of the daimon and through an extensive study of 93 of spirits featured in medieval and renaissance texts. The book also explores how traditional Judeo-Christian religion ultimately demonised such expressions due to their polytheistic roots and made punishable by death any attempts to reconnect with them.
The nature of this work is strongly influenced by the author's own magical practices, but its presentation does not resort to subjective or personal experiences, having a style that is more formal and research-based.
£69.99
£55.00
£195.00
Antiquarian
Out of print first hardback edition, limited to 350 copies only. Published by Kamuret Press 2021.
Condition: Fine, unread copy. Extremely minor crease to top right dustwrapper, otherwise completely pristine.
Edited, annotated and introduced by Richard Kaczynski, this edition far surpasses that found in the Collected Works: red and black ink has been employed to capture the feel of the 1904 edition; a 50 page introduction by Crowley’s foremost biographer introduces the reader to the many themes to be found throughout the book; finally, copious end-notes further elucidate concepts and ideas in need of clarification.
From the introduction:
‘The Sword of Song is arguably the greatest story never told. It is a book of firsts: his first manifesto, his first talismanic book, his first mystical essays, his first nod to sexual mysteries, and an enticing preview of what was to come in The Book of the Law, the spirit-writing that would form the cornerstone of his philosophy’.