The Comparative Hávamál
Description
Widely celebrated and referenced in popular culture as a literary treasure and even achieving the status of holy scripture in some contemporary new religious movements, the enigmatic poem Hávamál reaches us today by way of a single Old Icelandic manuscript dated to the 1200s, though it consists of (in some cases much) earlier traditional material. Its contents range from the practical to the profound, from the everyday to the deeply occult, all presented in the voice of the god Odin (Óðinn) as guidance for humankind, his creations. Featuring original art from Katie Metcalfe and Jacqui Alberts, newly introduced by scholar Lyonel Perabo, and with commentary from philologist Joseph S. Hopkins, this beautiful new edition presents three celebrated translations of the text beside its original Old Icelandic.
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She is known as the black underworldly crone and giantess of the black anti-cosmic runes and magic, who comes at midnight up from under the ground and walks between houses to visit the practitioners of the black arts (or fjölkunnigr, as they were called), to teach them about the black runes and anti-cosmic magic. She is known as first wife, or mistress of Loki. Her names are many, amongst which the most well-known ones are Gullveig, Heiðr, Aurboða, Angrboða and Hyrrokin. She was looked upon as an evil woman, "illr kona", and the mother of all trolls, "flagð", troll being the Old Norse term for malignant and bestial demons, viewed upon as a thurs-kin, which are often dwellers of the forests, mountains and the underworld.
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