Category:
Witchcraft and Wicca
out of stock
Hardback edition
The operations of magic and witchcraft deal with the hidden worlds of spirit and the powers innate within the natural world; within plant, stone and magical loci. The ‘Old One’, who in folk tradition is often named ‘The Devil’ embodies both the ‘rend in the veil’ and the spanning bridge between the worlds of the material and spiritual, the revealed and the hidden. It is through union with this entity that witches and folk magicians gained access to the powers that reside within the hidden realms and the natural world, and could awaken the potent fire within.
In traditional folk belief, the Devil existed also as an embodiment of the chaotic forces of nature; a belief quite distinct and separate from that of the Church with its ‘Satan’ figure. To the witch, he might also represent the ‘darker’ aspects of the divine; the keeper and the revealer of the divine light, the psychopomp guide of souls, and the sentinel at the threshold unto the mysteries of death and the Otherworld.
Something, it would seem, of the ‘elder divinity’ and the old ‘spirit of the wild’ has lingered through to the present; permeating regional faery lore, the calendar of ritualistic seasonal folk-customs, and traditions attached to ancient landscape features. The themes of untamed, wild nature; its freedom, its spirits, its power and its magic, so repugnant and threatening to the Church, were grafted onto the diabolical; affording yet greater preservation of the Old One for those who sought to stray from the path of limitation and conformity, and tread instead the hidden ways of the witch and magician.
Historical witch-lore records varied rites of initiatory contact, via which the worker of magic and witchcraft entered into a close, working relationship and union with the Old One and the spirit world. Via such union, would the ways unto curing ailments, exorcising ill influence, the attainment of desires, and the destruction of the oppressive be known, and the old artes of the circle, the spirits, the knotted cord, the pierced candle, the witch-bottle, the magical image and the spoken, inscribed and herbal charms be mastered.
From this wellspring of inspiration ‘The Devil’s Dozen’; a modern ‘gramarye’, or ‘black book’ of thirteen Craft rites of the Old One has been created and is offered by a present day initiate of the ‘Old Craft’
£95.00
Limited Book and Deck set.
The Serpent Ikons: A Sorcerous Distortion of the Tarot de Marseille Major Arcana is a card deck, philosophical commentary, and grimoire; combining at the very heart of its creation primal art, writing, and magickal practice. Forged in the fire of passion for the Mysteries, the Serpent Ikons are an oblation to the Self and its Daemon in the most sacred of experiences – one’s Life as a deliberate, Initiatory journey fashioned by the creativity and will of the magician.
The Serpent Ikons have their roots in the revolt against any religious authority imposing a singular and unilateral relationship with spiritual forces. They embrace the Witch’s way; that torturous path that defies dogma and distorts order. In The Serpent Ikons, the major arcana of the Tarot de Marseille have been subverted to act as a transgression of the Tarot tradition: the Operant needs only the Self for guidance, and prognostications are consciously chosen then brought into being through ritual with one’s Daemon.
£30.00
£45.00
Joseph Glanvill's Saducismus Triumphatus updated and revised. One of the most important texts concerning witchcraft and the paranormal in 17th century Europe. Ghosts, hauntings, witches, enchanted objects, poltergeist phenomena are featured. Witch trials from Somerset, Scotland, Ireland, and Sweden are described in detail using contemporary accounts from witnesses and the accused.
Paranormal activity, including the famous Drummer of Tedworth are also described in vivid, almost journalistic, language. There are ghosts, poltergeists, murder victims seeking post-mortem justice, a “knocking” banshee foretelling death, and a demonic stalker among others. There is a lengthy Introduction, which explains the historical and philosophical background to Saducismus, including the important role played by Cambridge Platonist Henry More, and the circle around Lady Ann Conway.
We have kept the frontispiece from the original and have included it as an illustration.
Limited edition of 200 copies only, with a hand-numbered limitation page.