Categories:
Fine & Antiquarian,
Magick & Occult,
Witchcraft and Wicca
£350.00
Collectors Edition limited to 150 copies.
6x9 inches. 276 pages. Hardbound 80 pts, Fiscagomma “Shining Black” f-leather, blind deboss on the cover and on squared spine, color interior, and Neenah Red and Leno embossed endpapers. Fine typography, illustrated by artist Lupe Vasconcelos (also featuring numerous historical B&W art pieces), printed on Cougar Natural 160M archive-quality paper. Comes with a book-plate signed by the author and hand-numbered. Comes with a limited edition Art piece printed on Canvas, entitled Lucifer • Lux Mundi by artist Lupe Vasconcelos.
£95.00
Limited Book and Deck set.
The Serpent Ikons: A Sorcerous Distortion of the Tarot de Marseille Major Arcana is a card deck, philosophical commentary, and grimoire; combining at the very heart of its creation primal art, writing, and magickal practice. Forged in the fire of passion for the Mysteries, the Serpent Ikons are an oblation to the Self and its Daemon in the most sacred of experiences – one’s Life as a deliberate, Initiatory journey fashioned by the creativity and will of the magician.
The Serpent Ikons have their roots in the revolt against any religious authority imposing a singular and unilateral relationship with spiritual forces. They embrace the Witch’s way; that torturous path that defies dogma and distorts order. In The Serpent Ikons, the major arcana of the Tarot de Marseille have been subverted to act as a transgression of the Tarot tradition: the Operant needs only the Self for guidance, and prognostications are consciously chosen then brought into being through ritual with one’s Daemon.
£79.99
Hand-numbered, limited edition.
The Discoverie of Witchcraft, published by Reginald Scot in 1584, is a groundbreaking work that challenges the existence of witchcraft and the widespread persecution of alleged witches. It is special for its comprehensive documentation of magical practices, spells, and conjurations, making it one of the earliest compendiums of magic and witchcraft. While aiming to debunk superstitions, Scot meticulously catalogued the occult knowledge of his time, preserving a wealth of information about historical magical traditions. The book promotes scepticism and rationalism while serving as an invaluable resource on early modern occultism.
Scot was deeply motivated by a desire to oppose the irrational and un-Christian prosecution of alleged witches. He held the Roman Catholic Church largely responsible for perpetuating these superstitions and targeted prominent writers such as Jean Bodin, author of Démonomanie des Sorciers, and Jacobus Sprenger, co-author of the infamous Malleus Maleficarum. In contrast, Scot respected figures like Heinrich Cornelius Agrippa and Johann Weyer, adopting some of their more rational views on demonology.
£13.99 £16.99