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The Evil Eye by Antonio Pagliarulo
£13.59 £15.99
A practical, modern-day exploration of one of the oldest, most universal, and storied forms of folk magic.
The “evil eye” is rich with cultural anecdotes and traditions, mystical lore, and modern concepts. This book takes a deep dive into the origins of the evil eye, from ancient Egyptian practices to those found in ancient Greece and Rome. Most people are unaware that the world’s major monotheistic religions are replete with references to the evil eye. What did Jesus say about it in his Sermon on the Mount? The prophet Muhammad warned against the dangers of the eye, but what remedy did he provide to offset misfortune? Why and how does the evil eye appear in rabbinic literature and other Jewish texts? THE EVIL EYE answers these (and other) timeless questions while taking readers on a literary journey that is at once informative, enlightening, and, at times, disturbing.
The book:
· Defines the evil eye and traces its roots into antiquity and across an extraordinary breadth of cultures and traditions.
· Shows readers how to diagnose the evil eye, how to cure it, as well as cast it on others.
· Explores the use of amulets and talismans bearing the “evil eye,” including its remarkable prevalence in popular jewellery designs.
· Includes the history and use of various talismans such as the Hamsa; the Italian cornicello and mano figa; the azabache stone; the Kabbalah red string; mirror pendants; jumble beads; the Assyrian evil eye; and many others
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The Serpent Ikons by Helena van El & Shandi AzK Bouscatier
£95.00
Limited Book and Deck set.
The Serpent Ikons: A Sorcerous Distortion of the Tarot de Marseille Major Arcana is a card deck, philosophical commentary, and grimoire; combining at the very heart of its creation primal art, writing, and magickal practice. Forged in the fire of passion for the Mysteries, the Serpent Ikons are an oblation to the Self and its Daemon in the most sacred of experiences – one’s Life as a deliberate, Initiatory journey fashioned by the creativity and will of the magician.
The Serpent Ikons have their roots in the revolt against any religious authority imposing a singular and unilateral relationship with spiritual forces. They embrace the Witch’s way; that torturous path that defies dogma and distorts order. In The Serpent Ikons, the major arcana of the Tarot de Marseille have been subverted to act as a transgression of the Tarot tradition: the Operant needs only the Self for guidance, and prognostications are consciously chosen then brought into being through ritual with one’s Daemon.
The Devil's Supper by Shani Oates
£22.99
Always, the Devil is presented as a beacon of decadence and indulgence, whether fair or foul. And, whether droll or tragic, he does – in spite of his bad press – appear always to have our best interests at heart. Perhaps this is why many of us have a soft spot for this notorious rebel who reflects, as he does, the all too human element within. As supreme chimera, he is without peer; his amorphous ambiguity allows him to cross continents, cultures, and time effortlessly; he afflicts art and society in ever more creative and challenging ways… To know his work, we must seek what lies beneath the final mask.
Paperback edition.
The Discoverie of Witchcraft by Reginald Scot
out of stock - £79.99
Hand-numbered, limited edition.
The Discoverie of Witchcraft, published by Reginald Scot in 1584, is a groundbreaking work that challenges the existence of witchcraft and the widespread persecution of alleged witches. It is special for its comprehensive documentation of magical practices, spells, and conjurations, making it one of the earliest compendiums of magic and witchcraft. While aiming to debunk superstitions, Scot meticulously catalogued the occult knowledge of his time, preserving a wealth of information about historical magical traditions. The book promotes scepticism and rationalism while serving as an invaluable resource on early modern occultism.
Scot was deeply motivated by a desire to oppose the irrational and un-Christian prosecution of alleged witches. He held the Roman Catholic Church largely responsible for perpetuating these superstitions and targeted prominent writers such as Jean Bodin, author of Démonomanie des Sorciers, and Jacobus Sprenger, co-author of the infamous Malleus Maleficarum. In contrast, Scot respected figures like Heinrich Cornelius Agrippa and Johann Weyer, adopting some of their more rational views on demonology.
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