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Magick & Occult
£59.99
In this highly acclaimed work Dr. Vincente establishes hitherto unexplored connections between the European lore of the Witches’ Sabbath and the archaic fertility cult of the ram-headed Banebdjedet, a totemistic representation of Osiris in his netherworld aspect – Osiris as the Black Sun. It is the daemon of the depths, the Faceless God, who serves as the bridge between these two esoteric currents. This dark psychopomp, who reveals the mysteries of the Black Sun, was fictionalized by Lovecraft as Nyarlathotep. The Egyptians knew him as Anubis, and in European witch lore he is described as the black man of the Sabbath, the initiator of the witch cult. Thus the book has a triple focus – Lovecraftian, Egyptian and Sabbatic. It is not a question of extracting a complete occult system from Lovecraft’s stories, or drawing exact correspondences between entities of his Mythos and gods and spirits of paganism. There is no system to be decoded. Instead there are traces, insinuations, echoes of a genuinely primal vision found in his nightmarish worlds.
Supporting his arguments with the strategic use of qabalistic methods, Dr. Vincente achieves a careful balance between esoteric hermeneutics and scholarly methodologies, so that the reader is always drawn back to the concrete realities of magical practice. A set of powerful rituals of initiation, sexual gnosis and sorcery will enable the discerning initiate to operate effectively within the sinister dimensions of this counter current.
Introduced by David Beth this work is indispensable for any serious student of diabolism and the Sabbatic Gnosis.
£69.99
£55.00
out of stock - £245.00
Out of print hardback edition, limited to 350 copies only.
Unread in very good condition, wrapped in protective cellophane.
Edited, annotated and introduced by Richard Kaczynski, this edition far surpasses that found in the Collected Works: red and black ink has been employed to capture the feel of the 1904 edition; a 50 page introduction by Crowley’s foremost biographer introduces the reader to the many themes to be found throughout the book; finally, copious end-notes further elucidate concepts and ideas in need of clarification.
From the introduction:
‘The Sword of Song is arguably the greatest story never told. It is a book of firsts: his first manifesto, his first talismanic book, his first mystical essays, his first nod to sexual mysteries, and an enticing preview of what was to come in The Book of the Law, the spirit-writing that would form the cornerstone of his philosophy’.