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The Lady and the Beast : The Extraordinary Partnership between Frieda Harris and Aleister Crowley by Deja Whitehouse
£59.99
Although Lady Harris is acknowledged as the artist of Aleister Crowley's Book of Thoth, to date, most studies have focused predominantly on Harris's role as Crowley's 'artist executant', and almost exclusively from Crowley's perspective. Whitehouse argues that Harris's involvement extended far beyond the artwork itself. The Book of Thoth was a collaboration in which each partner fulfilled a variety of roles; building on Crowley's magical theories and practices, and Harris's artistic skills and social awareness that enabled her to promote and exhibit their work as it evolved.
The Lady and the Beast presents a critical analysis of the life and works of Frieda, Lady Harris (1877 - 1962), wife of Sir Percy Harris (1876 - 1952), Liberal MP and party chief whip. Frieda Harris, née Bloxam, fulfilled her parents' expectations of finding a suitable husband, managing the family home and raising a family. She supported her husband's political endeavours, and in return he encouraged her to pursue her own interests, especially her painting.
However, research indicates that Harris was already fascinated by mysticism and alternative belief structures prior to her meeting with Crowley in 1937. Her esoteric interests, combined with her demonstrable skills as a painter, made her ideally suited to illustrate Crowley's Thoth Tarot. In manifesting Crowley's vision of the Occult Tarot, Harris's paintings embody the intersection of art and esotericism.
Crowley (1875 - 1847) believed that the Tarot was fundamental to all magical disciplines and his Book of Thoth would become 'a standard Book of Reference, which will determine the entire course of mystical and magical thought for the next 2000 years.' Without Harris, there would be no Book of Thoth. Whitehouse presents a study of Harris's life and works, seeking to assess her true contribution to Western Esotericism.
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The First Occult Tarot Book by Robert M. Place
£19.99
The First Occult Tarot as Envisioned by Louis-Raphaël-Lucrèce de Fayolle, comte de Mellet, in 1781
Before Aleister Crowley, before Arthur Edward Waite and Pamela Colman Smith, before the Golden Dawn, before Papus, Éliphas Lévi, and Etteilla, the first author to describe an occult version of the Tarot was Louis-Raphaël-Lucrèce de Fayolle, comte de Mellet, writing in Antoine Court de Gébelin’s, 1781, eighth volume of his monumental encyclopedia, Monde primitif.
The comte de Mellet associated the Tarot’s trumps with the Classical Ages of Man: the Age of Gold, the Age of Silver, and the Age of Iron. He correlated the Trumps with the letters in the Hebrew alphabet, he described the minor suits in detail, and he provided the earliest discussion of a divination technique for the Tarot.
Two Esoteric Tarots by Peter Mark Adams and Christophe Poncet
£30.00
A conversation between Peter Mark Adams and Christophe Poncet on the esoteric tarot, in relation to the elite and Saturnian Sola-Busca tarocchi and the popular and luminous Tarot de Marseille. The two leading researchers into the hidden legacy of the tarot discuss the significance of their discoveries, which overturn the prevailing academic orthodoxy, and in doing so transform our understanding of the role of tarot in Western esotericism.
Standard hardback edition limited to 800 copies.
Bound in mandarin cloth stamped in gold, black endpapers. Printed in colour on premium 150 gsm paper.
The Tarot of Marsilio (Down Here) by Christophe Poncet
£75.00
Down Here is the first of a meticulously researched and lavishly illustrated three volume work, The Tarot of Marsilio by Christophe Poncet; a landmark inquiry into the origins of the Tarot de Marseille. Against the prevalent view in the academy – that the tarot was never used, before the 18th century, for anything other than card games – Poncet argues that the Tarot de Marseille is a work of esoteric philosophy hidden in plain sight.
Through a careful analysis of artworks, philosophical texts, and the imagery and symbolism of the cards, Poncet places and dates the deck to Florence in the 1470s. Marsilio Ficino, translator of the Corpus Hermeticum and the complete works of Plato, is identified as the likely mastermind behind this tarot. In this first volume, the imagery and meaning of the Chariot, the Devil, the Lovers, Strength, the Hermit, the House of God, Arcanum XIII and the Fool are explored.
As readers of Two Esoteric Tarots will know, Poncet’s investigation is comparable to that of Peter Mark Adams in The Game of Saturn, shedding new light on heterodox thought in the Renaissance.
Christophe Poncet has been on a decades long quest to discover the truth about the Tarot de Marseille and the esoteric ideas encoded in the cards. The Tarot of Marsilio takes us on an extraordinary journey of discovery, from a lost masterpiece of Botticelli in a ruined castle, through the stacks of the Vatican library, artist’s sketchbooks, and works in the collections of the Louvre, the British Museum, and the National Gallery. Poncet brings us into the hermetic thought-world of the circle around the brilliant polymath Marsilio Ficino.
For the tarot reader and occultist, this work opens up a profound understanding of the cards, their history and the context of their creation. With these keys we can read the visual language of the trumps as they were intended, and play the game of Western esotericism at a deeper level. Whether enhancing our divinations or stimulating the practice of talismanic and image magic, Poncet changes forever our understanding of the most archetypal and iconic tarot deck.
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