Category:
Witchcraft and Wicca
£13.99
Aradia or The Gospel of the Witches, as it was collected by Charles Godfrey Leland, brings us a folkloric mixture of myth, poetry, and magical instructions. Wrapped within those pages is the truth that Witchcraft is a revolutionary practice – a means for fighting against social injustices, shifting the balance of power, freeing people from oppression, breaking down political and financial systems that work against the people and nature itself. Witchcraft has long been the tool of the disenfranchised and the marginal. Calling oneself a Witch is in itself an act of defiance, a statement of going against the grain and the status quo of society.
Right now, Witchcraft is experiencing another revival that’s far-reaching across the social spectrum – and the story of Aradia streams forth like light amongst the shadows. How do we interpret Aradia today for the times that we are living in? As modern Witches, we can take inspiration from Aradia and add to the story with our own experiences, lore, and spellcraft. The #WeAreAradia movement says we don’t need to look to or watch for a savior – we are the ones we have been waiting for. These are the times that we are made for. Magical resistance happens both through physical means and metaphysical works – mind, body, and spirit. We seek not only to survive, but to thrive and craft new possibilities for tomorrow – for humanity, for the planet, for all.
The New Aradia is a handbook is designed to serve as a collection of ideas to teach, share, inspire, empower, protect, and guide. Within its pages are sigils, spells, recipes, essays, invocations, rituals, and more, all gathered from experienced magical practitioners. At your fingertips is an arsenal of tools to aid you on your path.
With contributions by: Aidan Wachter, Amanda Bell, Annalun, Annwyn Avalon, Aradia The Rose, H. Byron Ballard, Casandra Johns, Christopher Penczak, Deborah Castellano, Devin Hunter, Gwendolyn Reece, Irina Xara, Irisanya Moon, Ivo Dominguez Jr., Jay Logan, Jenn Zahrt, Kelden, Laura Tempest Zakroff, Lisa Bland, Lyssa Heartsong, Mat Auryn, Misha Magdalene, Patti Wigington, Phoenix LeFae, Raye Schwarz, Stephen Pocock & Storm Faerywolf.
£95.00
Limited Book and Deck set.
The Serpent Ikons: A Sorcerous Distortion of the Tarot de Marseille Major Arcana is a card deck, philosophical commentary, and grimoire; combining at the very heart of its creation primal art, writing, and magickal practice. Forged in the fire of passion for the Mysteries, the Serpent Ikons are an oblation to the Self and its Daemon in the most sacred of experiences – one’s Life as a deliberate, Initiatory journey fashioned by the creativity and will of the magician.
The Serpent Ikons have their roots in the revolt against any religious authority imposing a singular and unilateral relationship with spiritual forces. They embrace the Witch’s way; that torturous path that defies dogma and distorts order. In The Serpent Ikons, the major arcana of the Tarot de Marseille have been subverted to act as a transgression of the Tarot tradition: the Operant needs only the Self for guidance, and prognostications are consciously chosen then brought into being through ritual with one’s Daemon.
£79.99
Hand-numbered, limited edition.
The Discoverie of Witchcraft, published by Reginald Scot in 1584, is a groundbreaking work that challenges the existence of witchcraft and the widespread persecution of alleged witches. It is special for its comprehensive documentation of magical practices, spells, and conjurations, making it one of the earliest compendiums of magic and witchcraft. While aiming to debunk superstitions, Scot meticulously catalogued the occult knowledge of his time, preserving a wealth of information about historical magical traditions. The book promotes scepticism and rationalism while serving as an invaluable resource on early modern occultism.
Scot was deeply motivated by a desire to oppose the irrational and un-Christian prosecution of alleged witches. He held the Roman Catholic Church largely responsible for perpetuating these superstitions and targeted prominent writers such as Jean Bodin, author of Démonomanie des Sorciers, and Jacobus Sprenger, co-author of the infamous Malleus Maleficarum. In contrast, Scot respected figures like Heinrich Cornelius Agrippa and Johann Weyer, adopting some of their more rational views on demonology.
£22.99
Always, the Devil is presented as a beacon of decadence and indulgence, whether fair or foul. And, whether droll or tragic, he does – in spite of his bad press – appear always to have our best interests at heart. Perhaps this is why many of us have a soft spot for this notorious rebel who reflects, as he does, the all too human element within. As supreme chimera, he is without peer; his amorphous ambiguity allows him to cross continents, cultures, and time effortlessly; he afflicts art and society in ever more creative and challenging ways… To know his work, we must seek what lies beneath the final mask.