Antiquarian / Second Hand
Published: Museum Press, London 1971
Condition: Good. No dust jacket. Boards somewhat worn, but completely intact. Binding firm, pages slightly foxed at the edges, but clean and unmarked within.
"Who built Stonehenge, and why? Are there pagan sites beneath our cathedrals? Why were hill- figures like the Uffington White Horse created? Is there an Earth Force?
In a lifetime of careful research Guy Underwood came as close as any man yet to unravelling mysteries such as these, which have taxed the minds of archaeologists, anthropologists and others for centuries. This remarkable book tells the story of his work.
THE PATTERN OF THE PAST supposes 'some powerful cosmic force which covers the surface of ignored in this scientific age. Guy Underwood had stumbled on an ancient mystery. In these pages will be found accounts of its influence on animal life, on vegetation, and above all on early man, who used it to set out the great prehistoric monuments of Britain. As a story of archaeological detection this book will fascinate; as a scientific thesis it will challenge; as an insight into the mind and skills of prehistoric man it has profound implications for us all."
£80.00
Limited, first edition hardback, published by the author. Now out of print.
Condition: Fine.
Mill Dust and Dreaming Bread takes readers on a captivating journey through Scotland’s landscapes, legends, and lore. This rich tapestry of folk belief and folk magic uncovers the enduring connections between land, community, and spirit, rooted in the ancestral traditions of Scotland. From animistic practices and seasonal celebrations to the struggles of resilience against suppression, this book reclaims a marginalised cultural heritage and invites readers to rediscover its relevance in the modern world. Blending deep archival research, personal storytelling, and vibrant explorations of ecology, history, and spirituality, this work is an evocative homage to Scotland’s past and a powerful call to embrace its enduring wisdom. Whether delving into the fairy faith, uncovering the rituals of ancient festivals, or examining the impact of societal upheaval, Mill Dust & Dreaming Bread offers a transformative perspective on our shared heritage and a vision of how it can inspire us today.
This limited edition, specially crafted book, supported by a Kickstarter, is for seekers, storytellers, and all who yearn to connect with the echoes of an ancient land.
£22.50 £25.00
out of stock - £66.99
Third standard edition bound in black faux leather, 600 copies. Hardcover book stamped with golden Utgarða-Heiðr rune, black endpapers. Fully illustrated, 371 pages including a fold-out map of Heldrasill, the underworld. Published by Ixaxaar 2025.
She is known as the black underworldly crone and giantess of the black anti-cosmic runes and magic, who comes at midnight up from under the ground and walks between houses to visit the practitioners of the black arts (or fjölkunnigr, as they were called), to teach them about the black runes and anti-cosmic magic. She is known as first wife, or mistress of Loki. Her names are many, amongst which the most well-known ones are Gullveig, Heiðr, Aurboða, Angrboða and Hyrrokin. She was looked upon as an evil woman, "illr kona", and the mother of all trolls, "flagð", troll being the Old Norse term for malignant and bestial demons, viewed upon as a thurs-kin, which are often dwellers of the forests, mountains and the underworld.
The book explores Gullveig through Old Norse mythology, sagas, Witchcraft & Poetry, which also includes descriptions of related giants and underworldly locations connected to her, such as: Loki, Jørmungandr, Fenrir, Hel; Jøtunheimr, Helheimr, Niflheimr, and much more.
The Gullveigarbók gives the student a wide overview, explaining the darker side of Norse mythology as a whole, making it an important work for readers searching for knowledge concerning this before seldom explored aspect of Northern Spirituality.
The latter part of the Gullveigarbók book is called Fjølkyngi, witchcraft, and holds the esoteric aspects and praxis of the author's own witchcraft as connected to the Thursatru Tradition - Þursatrú siðr - and divulges aspects of the author's magical Gullveig workings. This part of the book also introduces students to how the Gullveig sigils, or bindrunes are to be employed.