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The Quiet Moon by Kevin Parr
£14.99
The ancient Celts lived by and worshipped the moon, but modern, digital life is often at odds with nature, rubbing against it rather than working in harmony with it. Is there something to be said for embracing this ancient way of being and reconnecting to the moon’s natural calendar?
January’s Quiet Moon reflects an air of melancholy, illuminating a midwinter of quiet menace; it was the time of the Dark Days for the ancient Celts, when the natural world balances on a knife edge. By May, the Bright Moon brings happiness as time slows, mayflies cloud and elderflowers cascade.
Nature approaches her peak during a summer of short nights and bright days – a time when the ancient Celts claimed their wives and celebrated Lughnasadh. With the descent into winter comes the sadness of December’s Cold Moon. Trees stand bare and creatures shiver their way to shelter as the Dark Days creep in once more and the cycle restarts.
In "The Quiet Moon", Kevin Parr discovers that a year of moons has much to teach us about how to live in the world that surrounds us – and how being more in tune to the rhythms of nature, even in the cold and dark, can help ease the suffering mind.
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Avalon Working by Mark Nemglan
£55.99
Avalon Working is equal parts grimoire and devotional, gazeteer and visionary journey. In a journey to the heart of Albion, the work passionately argues for Glastonbury as a centre of emergence and initiation, a latter-day Eleusis. The work invites readers to actively participate in the Holy Island’s unfolding destiny, in partnership with its guardians and powers, to co-create its mythopoeia and, in doing so, forge a new Avalonian covenant.
Glastonbury’s role and status in the tapestry of Britain’s magickal history is significant and undeniable, from Edward Kelley to Dion Fortune. Yet it has also come to embody the worst traits of the New Age, which commodifies and trivialises the sacred. In Avalon Working, Mark Nemglan restores the Holy Island’s reputation as a locus and fountainhead of extraordinary magickal power for a new generation of practitioners and seekers. Writing in a progressive occult idiom, Nemglan evokes the multiple threads of Celtic, Arthurian, Druidic and Faerie currents and braids these with alchemical, geomantic, witchcraft, Thelemic, Typhonian and Draconian traditions.
In doing so he has created a comprehensive ritual framework, a workable system of operative magick and a language for interfacing with the presiding powers of the Holy Island, its numina and geomythologies. He elucidates parallels between Glastonbury’s sorcerous topography and our wider mythic heritage. As such, the book is a potent key for those seeking to develop or deepen their work in whatever landscape they stand in or make pilgrimage to, and regardless of tradition.
Avalon is ‘a wellspring of deity, a nexus of power, a terrestrial otherworld, and a place of mythopoetic emergence.’ The Tor functions as the axis mundi of this ritual landscape, the land around it quartered by solstice sunrise and sunset, each quadrant ruled by a Queen. The Red and White Springs flowing forth from the base of the Tor are used to lustrate, consecrate and ensorcel, their polarising powers brought into alchemical unity by the practitioner who is sincere in their quest. An initiatory circuit is undertaken through the four realms of the Glastonbury landscape, the practitioner imbibing an elixir from four Graals, transforming his or her self into the four alchemical bodies. The practitioner returns from the initiatory circuit, including a visionary descent to Annwn, the underworld, and is transmuted by the trials undertaken into a lapis exilis or charged Graal.
Avalon Working situates the reader in the history and myths of the land, evokes with immersive photography, and details rituals which conform to the edict ’simple magic in powerful places.’ It offers a return to the haunted island of the ennead and the undertaking of the Great Quest which is coded in the ritual landscape and the coursing of the twin serpent currents that still animate the body of Albion.
The Cosmos in Stone : Sacred Geometry of a Master Mason by Tom Bree
£24.99
This beautiful and groundbreaking book examines the use of sacred geometry and cosmology in Gothic cathedral design. Renowned geometer and lecturer Tom Bree demonstrates how medieval Master Masons combined their knowledge of the practical building arts with ancient cosmological knowledge to endow their constructions with profound spiritual meaning. Wells Cathedral, the focus of this book, was England's first Gothic cathedral, and its design symbolises the soul's cosmic journey from Earth, through the underworld and up into the heavens.
Bree shows how the medieval Christian fascination with the knowledge of the ancient world laid the foundations for the more recent mythos involving the Templars, Freemasonry and Pyramidology. Packed with rare illustrations and original research unavailable anywhere else, this is a book to study and treasure.
Magical Britain by Rob Wildwood
£18.99
This richly illustrated guide to 650 places will appeal to those who want to explore Britain's lost animist landscape of fairies, folklore, myth and paganism. Discover pre-Christian healing shrines and Norse mythology. Learn where rock, water and hill spirits come alive, and their meaning for our ancestors, and for us today.
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