A groundbreaking work on the little-studied Indian origins of an influential tantric Buddhist practice along with a fresh English translation.
The deity Vajrabhairava, or Yamantaka, is well known as the central figure of tantric practice in multiple lineages of Tibetan Buddhism and is also found in Chinese and Japanese Buddhism. Less is known about its foundational Indian context. The Vajrabhairava Tantra, dedicated to the Buffalo-headed deity Vajrabhairava, arose around the eighth century and had a considerable impact on the formation of religious praxis in the medieval Indian Buddhist world.
This book contains a translation of the Vajrabhairava Tantra from the recently discovered Sanskrit text and a comprehensive study of its elements, origins, Indian commentators, and the history of its transmission to Tibet. The annotation to the translation excerpts all six Indian commentaries on the tantra found in the Tibetan canon.
One highly innovative contribution this work makes to the fields of tantric Buddhist studies and, more generally, to South Asian religions is the way it breaks down traditional disciplinary boundaries between tantra and magic. It shows that the genesis of tantric traditions cannot be reduced to a one-way influence of Hindu Shaivism on Buddhism or vice versa, but indicates a widespread “culture of magic,” a common “ritual syntax,” that crossed sectarian, linguistic, and socio-cultural boundaries, one that came to be significantly diminished in later Shaiva and Buddhist tantras.
The study comprises the first half of the book, and the second half is the translation, which explains the construction of the mandala, the magical applications of the practice, the extraction of the mantra, the visualization, and the preparation of the pata painting and the homa fire ritual. A dozen color plates illustrate Vajrabhairava in his Solitary Hero and other forms along with mandalas of five different lineages, keys for which are provided in the appendix.
Not only is the English translation of the Vajrabhairava Tantra the first to be based on a Sanskrit manuscript, but also the comprehensive study of all six canonical commentaries is the first to investigate the key commentaries by Akshobhya and Krishnacharya.
£39.99
The Sun of Knowledge (Shams al Ma'arif) by al-Buni
For the first time in English translation, the Sun of Knowledge presents the fundamentals of Arabic-Islamic occult work – from spiritual cosmology and astrology (including various particularly lunar magics) to working with spirits and jinn, magical employment of letters and numbers, and the occult applications of the Qur’an – thereby comprising a veritable encyclopedia of Islamicate magical wisdom and formulae. An essential addition to your collection.
Publisher: Revelore Press
£89.00
There is no better illustration of the radical transformative power of the ancient Tibetan contemplative teachings of Dzogchen than the extraordinary phenomenon of bodily disappearance or “rainbow body”, which is considered its ultimate fruit. In this groundbreaking study of rainbow body in the Bön tradition, which is the first of its kind in a western language, the neophyte reader is guided into the profound insights of Dzogchen, while all the components required to understand this most mysterious and enigmatic of phenomena are laid out gently and methodically.
Illustrated by unique thangkas commissioned especially for this study, the book’s emphasis is on clarity of exposition. Simple enough for the layman, but detailed enough to do justice to these ancient and subtle traditions, Rainbow Body serves both as an introduction to Bön Dzogchen, and also as a pioneering study of Tibetan textual sources related to the phenomenon of rainbow body. It is offered to the public in the hope that as many people as possible may benefit from the profundity of this ancient wisdom. For as Loel Guinness states in his preface, “Dzogchen is not just for monks. It is as suitable for the businessman, the academic, the adventurer, or the practitioner. The insights of Dzogchen are relevant for all”.
The 2021 edition is updated and revised in a smaller, more accessible format, of the 2018 edition.
£55.00
Hardback edition limited to 1000 copies.
The second and latest instalment to the Alchemy Rising series by the contemporary English alchemist Heliophilus is dedicated to the Art of Water and the mystery of the alchemical menstruums. Within its lavishly illustrated pages, Heliophilus takes us on an alchemical quest that follows the Sacred Fountain of the alchemists, through the great monarchical tributaries of Nature nurtured and nourished by the very streams and rivers that flow through the mineral, vegetable and animal kingdoms. From these kingdoms the alchemists drew their liquors, menstruums, spirits and lixiviums, and by doing so were able to calcine, precipitate, dissolve and sublime their subjects; reduce them to their first matter; and separate their philosophical principles.
¶ In The White Book, we are invited to join Heliophilus on his alchemical quest which begins with the consideration of various mother-waters of the alchemists. Guided by the light of his experience, we will gather them from the heavens and the oceans in which they fall. Our investigation into these essential waters will follow their courses from the rivers of the vine into the living tributaries of the animal, vegetable and mineral kingdoms, until finally we will search for the secret spring deep within the mountains. We will prepare our menstruums from the great monarchies of Nature, and from these very kingdoms we will distill their spirits, resolve their lixivia, decoct their oils and lay the foundation for that most potent of all alchemical dissolvents: the mysterious Alkahest of Paracelsus and the Philosophical Mercury of the Sages.
¶ “Burn it in Water and wash it with Fire,” the old Adepts were wont to say; but this must be done homogeneously, for fear of destroying or contaminating the very principles we wish to extract. Following in the footsteps of Heliophilus, using our menstruums we will ‘calcinate’ our subjects, and in so doing open them up—be they gemstones, minerals or metals, for by means of these fiery waters we can extract their essentials and thereby alchemically rejoin what we have divided. We will grip the Hand of the Philosophers and prepare each finger according to the tenets of the Art, and in these our mineral gardens we will prepare the seasoning to cook our mercurial fish.
¶ The White Book is divided into two parts: Theorica and Practica. The first is an introduction into the alchemical mystery of the Goddess and the concepts of transmutation, with a gathering of the Philosophers whose arcane ideas and mytho-hermetic symbolism are carefully laid out and considered before Heliophilus proceeds on to the practice. Practica is divided firstly into an archetypal discussion on ‘Moonshine’ and the exhalation of the stars, following which the work is separated further into the Vegetable, Animal and Mineral chapters. Under the Vegetable work Heliophilus discusses Acetum and the means of preparing one of the most versatile vegetable menstruums of the alchemists. This is followed by Tartar and the discussion of the importance and preparation of its spirit, its salts and the lesser Circulatum of Urbigerus.
¶ The Animal work includes a detailed inquiry into Urine and the means of extracting a spirit from Oyster shells, whilst the Mineral work itself is separated into five fingers, which constitute the aforementioned Hand of the Philosophers according to which Heliophilus demonstrates the preparation of each of the alchemical salts, namely Nitre, Sal Ammoniac, Salt, Vitriol and Alum, in keeping with the dictates of the Art. The final investigation in The White Book is titled ‘Mercurius Trismigestus’: the Thrice Great Mercury, a work of three parts which shall be concluded in the future in the final instalment of the Alchemy Rising series, The Red Book, and which Heliophilus initiates with a theoretical and practical inquiry into the Prima Materia of the Philosophers, the spirit wine of Lully and the elusive Sericon of the Sages.
¶ Alchemy Rising: The White Book is an essential manual for all aspiring alchemists, providing some of the indispensable keys necessary to unlock the riddles of the Philosophers, and sounding the deep waters of the Royal Art with clarity, sincerity and true passion.