When a body falls on to the roof of Tanya Sewell’s house in the middle of the night, the world’s media arrives, demanding answers. Tanya recognises the woman as her old friend, the literary researcher Catherine Richards, but where did she come from and how did she end up on Tanya’s roof?
The reporters move on, but Tanya is unable to, not least because she has inherited Catherine’s house, which is full of more books than Tanya could imagine any one person owning.
But there is another remarkable development, and Tanya finds herself caught up in a confusion of space and time, books and authors, fact and fiction, all of which seem to be the result of the mysterious Sixtystone, an artefact referred to in the fourteenth century by a third-century geographer, Solinus, and in the fiction of the nineteenth-century author Arthur Machen.
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Ethel Archer (1885-1962), the daughter of a clergyman, was born in Sussex, and expelled from school at the age of fourteen for asking questions in Scripture class. In 1908 she married the aspiring artist Eugene Wieland, and lived with him in West London. The couple made the acquaintance of Aleister Crowley, joined his A∴A∴ magical organization, and set up a publishing company called Wieland and Co., to publish Crowley’s periodical The Equinox, as well as other texts, including Archer’s first poetry collection The Whirlpool (1911). She published two other books, Phantasy and Other Poems (1930) and the occult novel The Hieroglyph (1932).
This 32-page chapbook assembles together twelve poems never collected in the author’s lifetime, which originally appeared in such places as The Equinox and The Occult Review.
Paperback.