Categories:
Fine & Antiquarian,
Magick & Occult,
Witchcraft and Wicca
£450.00
Deluxe edition: Quarter goatskin with slipcase, limited to 44 hand-numbered copies.
Crooked Path Sorcery is at once a magical philosophy impelling and arising from the magical historical witchcraft, as well as a set of practices deriving from the work of the Column, an inner cell of the magical order Cultus Sabbati. Reflecting the patterning of antinomian magic and the interior metaphysical dimensions of the Witches’ Sabbat, its essence turns all it encounters in order to serve the will of the sorcerer. Cultus works such as Andrew D. Chumbley’s The Dragon-Book of Essex and Daniel A. Schulke’s Lux Haeresis reflect specialized ciphers of Crooked Path teachings within the Sabbatic Tradition, and underscore its unique contributions to witchcraft lore.
Published for the first time, Via Tortuosa is a grimoire elaborating the occult ontology of Crooked Path Sorcery by three initiates of the order. Its diverse by-ways and their spheres of gnosis are examined through essay and allegory, including The Opposer, The Serpent of Eld, The Crooked Step, the Transfiguration of the New Flesh and the Embrace of the Other. The Mysterium is set forth in three sections: Exegesis, Prayer, and The Parables of the Exiled. The whole is illustrated with ten original drawings by Jim Dunk, each embodying the aberrant hypostases of the Crooked Gods.
£95.00
Limited Book and Deck set.
The Serpent Ikons: A Sorcerous Distortion of the Tarot de Marseille Major Arcana is a card deck, philosophical commentary, and grimoire; combining at the very heart of its creation primal art, writing, and magickal practice. Forged in the fire of passion for the Mysteries, the Serpent Ikons are an oblation to the Self and its Daemon in the most sacred of experiences – one’s Life as a deliberate, Initiatory journey fashioned by the creativity and will of the magician.
The Serpent Ikons have their roots in the revolt against any religious authority imposing a singular and unilateral relationship with spiritual forces. They embrace the Witch’s way; that torturous path that defies dogma and distorts order. In The Serpent Ikons, the major arcana of the Tarot de Marseille have been subverted to act as a transgression of the Tarot tradition: the Operant needs only the Self for guidance, and prognostications are consciously chosen then brought into being through ritual with one’s Daemon.
£79.99
Hand-numbered, limited edition.
The Discoverie of Witchcraft, published by Reginald Scot in 1584, is a groundbreaking work that challenges the existence of witchcraft and the widespread persecution of alleged witches. It is special for its comprehensive documentation of magical practices, spells, and conjurations, making it one of the earliest compendiums of magic and witchcraft. While aiming to debunk superstitions, Scot meticulously catalogued the occult knowledge of his time, preserving a wealth of information about historical magical traditions. The book promotes scepticism and rationalism while serving as an invaluable resource on early modern occultism.
Scot was deeply motivated by a desire to oppose the irrational and un-Christian prosecution of alleged witches. He held the Roman Catholic Church largely responsible for perpetuating these superstitions and targeted prominent writers such as Jean Bodin, author of Démonomanie des Sorciers, and Jacobus Sprenger, co-author of the infamous Malleus Maleficarum. In contrast, Scot respected figures like Heinrich Cornelius Agrippa and Johann Weyer, adopting some of their more rational views on demonology.
£22.99
Always, the Devil is presented as a beacon of decadence and indulgence, whether fair or foul. And, whether droll or tragic, he does – in spite of his bad press – appear always to have our best interests at heart. Perhaps this is why many of us have a soft spot for this notorious rebel who reflects, as he does, the all too human element within. As supreme chimera, he is without peer; his amorphous ambiguity allows him to cross continents, cultures, and time effortlessly; he afflicts art and society in ever more creative and challenging ways… To know his work, we must seek what lies beneath the final mask.