Categories:
Astrology,
Fine & Antiquarian
£60.00
Second Hand / Antiquarian
Published: Centre for Psychological Astrology Press, London 1998 (CPA Seminar series: Volume 11). First edition.
Condition: Good. Hardback issued without dust jacket. Boards slightly worn and marginally warped. Pages clean and unmarked.
This poetic and comprehensive introduction to the elements is the first of two volumes of transcribed lectures astrologer Darby Costello presented for the CPA.
Part One: water. We examine the element of water through its expressions in myth, alchemy, philosophy and psychology, and then through the water signs and water houses in the horoscope. Each planet in a water house is described in terms of its meaning and expression; the three water signs on the Ascendant are examined; and planets transiting through the water houses complete a detailed analysis of all the permutations of water in the birth chart.The chart of Marcel Proust is presented as a vivid example of the imaginative power and longing for unity reflected by this most mysterious and most primal of elements.
Part Two: fire. We explore the chaotic, inspirational realm of fire, beginning with the ways in which fire is symbolised in myth and philosophy. We then examine Mars, the Sun and Jupiter as planetary rulers of the fire signs. Each fire sign is explored in detail, including planets placed in fire signs and fire houses, the nature of a fire sign on the Ascendant, and the meaning of the outer planets in fire signs in relation to the the generation group to which the individual belongs.The charts of two very different fire temperaments - William Blake and Heinrich Himmler - are presented. We discuss the meaning of a singleton in fire, what lack of fire in a chart suggests, and the experience of fiery people born into generation groups when the outer planets are placed in earth and water. Audience participation enriches this unique journey throughout both seminars, allowing individual experiences to deepen the reader’s understanding.
£245.00
Out of print hardback edition, limited to 350 copies only.
Unread in very good condition, wrapped in protective cellophane.
Edited, annotated and introduced by Richard Kaczynski, this edition far surpasses that found in the Collected Works: red and black ink has been employed to capture the feel of the 1904 edition; a 50 page introduction by Crowley’s foremost biographer introduces the reader to the many themes to be found throughout the book; finally, copious end-notes further elucidate concepts and ideas in need of clarification.
From the introduction:
‘The Sword of Song is arguably the greatest story never told. It is a book of firsts: his first manifesto, his first talismanic book, his first mystical essays, his first nod to sexual mysteries, and an enticing preview of what was to come in The Book of the Law, the spirit-writing that would form the cornerstone of his philosophy’.
£175.00
First edition hardback and Codex Icons set.
Galvanising form from negative existence allows the Codex to analyse and describe how the Proklosis Ring is to be used as an orientating device, even while the ritual precinct remains exposed. Accompanying this philosophical exposition of the Black Dragon, the Codex addresses, in some depth, a ritual procedure which involves the inscribing of each letter of I-Azi-Dahaka upon the earthen floor. The purpose of this rite is to draw in the extent of the Proklosis Ring without needing to contain. Each letter operates as a portal, together they portend the awakening of the sorcerous self. Additional layers of meaning are consequently added, thus exposing metaphysical associations to non-being that have up until now been hidden by the mantle of Otherness. Incorporating emanations from the Black Dragon, including the daemon emissaries and djinn from Volume 1, along with a retinue of familiar spirits not previously mentioned are thereby conveyed for the strict purpose of provisioning the sorcerer with a corpus of referential allegiances.
£120.00
Out of print, hardback edition.
Condition: Fine - As New.
The work of Renaissance philosopher Giovanni Pico della Mirandola is both significant and interesting for a number of reasons. First, his writings provide both an approach to, and an understanding of, ancient wisdom traditions (philosophical and religious systems) and the way that we receive them in modern times. This is partly a discovery of how Western society and culture honors these traditions, but tends to be fundamentally disconnected from them in the course of daily life. Ultimately, this is a recognition that the esoteric traditions of the West are fragmentary at best, but also a realization that these fragments are our legacy and by working with them mindfully, we may still traverse a spiritual path that leads from delusion to wisdom. Second, studying Pico and his work reveals the manner in which a fundamentally Jewish esoteric doctrine and tradition –Kabbalah – was adapted and then adopted by Christian philosophers because it was a living, extant tradition and has a monotheistic character. Third, a close reading of Pico’s works reveals new insights into the ways that angels were thought of, and even worked with, in an esoteric and mystical manner Pico is a natural focus for all of these questions because his own work and writings places him not only at the center of these investigations, but also at the center of the rebirth of the Western esoteric tradition. Pico’s 900 Theses and subsequent Apologia (from which his Oration (on the Dignity of Man) is excerpted) contain the foundation for the rediscovery of Western esotericism from the mists of time along with the public declaration that magic and the Cabala were the keys to knowing the truth of religion, the world, and oneself. Pico’s own story of this discovery and the way in which he felt compelled to share it with the world are extraordinary and dramatic, so he is a most suitable vehicle for the expression of these ideas.
Through his writings, we can understand the way in which Western esotericism had been relegated to the dustbin of history before Pico so boldly plucked it from the trash heap to exalt it as it should be. He exposed the manner in which we could see that there exist equivalences and correspondences in various traditions and schools of thought. This can be understood as a sort of syncretism, but also a way to understand that, on some level, truth can be expressed in different ways that may be more accessible to different people in different places at different times. Pico also shows us how a fully extant, living esoteric system can be adapted and appropriated if one feels righteous in doing so. It was the deficiency in Western esotericism that there was no living system as all the ancient religions were dead and gone – except for Judaism. All that was required was the Spanish Inquisition to convert some Kabbalists and then exile them to Italy where they translated for and tutored Pico. From there it was no great task to adapt the once Jewish Kabbalah to a now Christian Cabala. This conversion made all subsequent esoteric practice in the West really flourish and one could say that Pico’s adaptation of the Cabala is the act that has had more influence on Western esoteric thought and practice for the following 500 years and counting than any other.
Lastly, Pico and his philosophy engages with angels and the orders of angels in unique ways to teach a system of thought and action – contemplation really – that is designed to lead to gnosis and/or theosis. The really beautiful thing about Pico’s system is that it perfectly mirrors all great mystical systems of the world in the specific methods that it employs. One of the things I really enjoyed was exploring how Pico’s explanation of how one goes from delusion to wisdom compared with Jewish Kabbalah, but there is ample territory to explore comparisons with many esoteric paths.
Limited standard hardback edition.