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Categories:
Ancient Civilizations,
Paganism
Zeus by Ken Dowden
£50.00
Second hand / Antiquarian
Published: Routledge, Abingdon 2006 (part of 'Gods and Goddesses of the Ancient World' series)
Condition: Fine, as new. Hardback issued without dust jacket.
"The first book to capture a complete picture of the most important of Greek gods in one reliable volume for almost seventy years, this masterly and comprehensive study brings a new-millennium examination of the fascinating god Zeus.
Broad in scope, the book looks at myth, art, cult, philosophy, drama, theology and European painting amongst much more, and allows us to take seriously what it was to worship and respect the greatest of Greek gods, and to live through the aftershock of the Middle Ages and modern times."
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Wolfs-Head (paperback) by Shani Oates
£26.99
Óðinn’s identity as the Ecstatic God of the Tethers of Law and Death, is least recognised through his Skin-Turning and Shape-shifting techniques as gifts of the highest craft he imparts to a shamanic warrior elite. Those themes are explored in this volume, alighting upon a wide range of magics and histories identified within the Óðinnic cultus. Medieval source materials yield a wealth of information relating to Totemism; Ritual Guising; the Berserkir and Úlfhéðnar as Óðinn’s True Wolf Warriors; Motifs of Magical Beasts in Battle; the Wælceasega as Carrion Host; the Law and Covenants relating to Wǽr-loga; Outlawry; She-Wulves; The Red Thread of Wyrd, Warding and Binding the Dead, Varðlo(k)kur - the call to spirit; Dragons, the Wyrm, and finally, to the malefic sorcery of the Dog Heads of War, The Zmei, The Roggenwolf and the Bukka, whose presence in the wheat, rye and barley knots of the blessed harvest grains, all wend a path through to the real St George, to Green George.
Enchanted thread, girdles, withies and staves, seiðr and the völur are woven through the time-honoured mysteries shared by Beowulf, Grendel and his brimwylf (‘sea-wolf’) mother. Nordic culture drew inspiration and influence from the magical and martial disciplines of the Sámi, Slavic, north-European and Eurasian peoples. Invoking the divine ecstasy of creation, Shamen priests and warriors, stand ‘outside’ time. Óðinn’s antinomian challenges generated considerable friction within societal ‘law.’ The dehumanisation of the skóggarmaðr (wild men of the forest) outlawed for following his rule, rendered them indistinct from the forest-wolf’s status, and were perceived as equal quarry. Transpersonal experiences shaped their realities, relating to identification through a clan totem, namely the wolf, and later the dragon, wyrm and raven, not merely as wild beasts of battle, but of ancestry, mind, of wit and wisdom. Couched in ambiguities, the role of the Valkyrjur,’ the ‘handmaidens of Óðinn is re-evaluated, leading to a new conclusion for their association with (battle) carnage and the ‘Cult of the Dead.’
The Hanged God: Óðinn Grímnir (paperback) by Shani Oates
£22.99
Challenging former atrophied or outdated knowledge regarding Óðinn’s acquisition of the runes and the mead of poetry, this extensive and intense study revisits Hávamál, Vǫluspá, Skáldskaparmál, Grímnismál, Heimskringla and Ynglinga Sagas specifically, to unravel and reconnect crucial factors that collectively reveal a magical formula for rebirth and resurrection. These kennings have preserved the threads of mysteries pertaining to Rúnar entrenched in Taboo. Óðinn’s quest of discovery takes him through three historically attested trials as Rites of Passage that find parallel forms in other animistic traditions. His ordeals of Mound, Tree and Sacral Kingship together with an articulation of the role of Hamingja are hitherto connected.
England on Fire by Stephen Ellcock & Mat Osman
£22.50 £25.00
This is a book about English art like no other. Forget the tired rogues' gallery of lords and ladies, forget the tall ships and haywains. These images cut to the heart of England's psychic landscapes to portray an Albion unhinged, where magic and rebellion and destruction are the horses to which the country is hitched.
On these fabled shores we are all castaways, whether our family has lived here for four thousand years or for four. Here you will find depictions of ancient trackways, chalk carvings and standing stones, of animal-masked community rituals, of streets set ablaze in protest, of occult dreams and psychedelic prophecies. There are over 200 images by artists ranging from William Blake, J.M.W.
Turner and Samuel Palmer to Paul Nash, Louis Wain, Bill Brandt, Derek Jarman and Ithell Colquhoun to present-day visionaries such as Paula Rego, Cathy de Monchaux, George Shaw, Jamie Reid, Matt Collishaw,Tacita Dean, Lina Iris Viktor, Yinka Shonibare, Nick Waplington, Dan Hillier, Nicola Tyson, Sutapa Biswas and Chila Kumari Burman. The mind-blowing selection of images is accompanied by short texts by Mat Osman, exploring magic and mazes, ghosts and gardens, shipwrecks and cities. These poetic renderings of a spectral isle, together with Stephen Ellcock's hallucinatory visual journey, reclaim Albion as an eternally inspiring and anarchic domain - an England on fire.
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