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Magick & Occult
Clavis: Volume 4 - The Green Key (deluxe edition)
£250.00
Green paper over boards with slipcase, featuring an enclosed original limited edition woodblock print of Amanita muscaria by Liv Rainey-Smith, signed and numbered, and executed in blood red ink. Limited to 131 copies only.
Cover by Madeline VonFoerster • ‘The Green Key’ as an invocation of the Viriditas • New images by Robert Stephen Connett • Articles in The Green Key include an analysis of Picatrix incense formulae by Catamara Rosarium • ‘Polyphasic Consciousness’, by Lee Morgan with art from Marzena Ablewska • ‘A Casket of Green Poyson, Newly Open’d’ by John Maplet, with art by Santiago Caruso • Art and alchemy by Dale Pendell • Daniel A. Schulke’s ‘The Spirit Meadow’ • Considerations of plant life cycles in the Magical Garden by Harold Roth • The lore of the Elder tree, by Corinne Boyer • ‘Curse the Eyes of the Thief’ by Fredrik Eytzinger • ‘Marqunis’ Amulet’, a previously unpublished alchemical poem by Ibn Umail, newly translated by Darius Klein • Additonal art by Johnny Decker Miller, Santiago Caruso, Andrzej Masianis, Janelle McKain, Liv Rainey Smith, Tom Allen, John Kleckner and Marlene Seven Bremner.
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Sword of Song by Aleister Crowley
£245.00
Out of print hardback edition, limited to 350 copies only.
Unread in very good condition, wrapped in protective cellophane.
Edited, annotated and introduced by Richard Kaczynski, this edition far surpasses that found in the Collected Works: red and black ink has been employed to capture the feel of the 1904 edition; a 50 page introduction by Crowley’s foremost biographer introduces the reader to the many themes to be found throughout the book; finally, copious end-notes further elucidate concepts and ideas in need of clarification.
From the introduction:
‘The Sword of Song is arguably the greatest story never told. It is a book of firsts: his first manifesto, his first talismanic book, his first mystical essays, his first nod to sexual mysteries, and an enticing preview of what was to come in The Book of the Law, the spirit-writing that would form the cornerstone of his philosophy’.
Codex Althaeban Malik + Codex Icons by Peter & Carolyn Hamilton-Giles
£175.00
First edition hardback and Codex Icons set.
Galvanising form from negative existence allows the Codex to analyse and describe how the Proklosis Ring is to be used as an orientating device, even while the ritual precinct remains exposed. Accompanying this philosophical exposition of the Black Dragon, the Codex addresses, in some depth, a ritual procedure which involves the inscribing of each letter of I-Azi-Dahaka upon the earthen floor. The purpose of this rite is to draw in the extent of the Proklosis Ring without needing to contain. Each letter operates as a portal, together they portend the awakening of the sorcerous self. Additional layers of meaning are consequently added, thus exposing metaphysical associations to non-being that have up until now been hidden by the mantle of Otherness. Incorporating emanations from the Black Dragon, including the daemon emissaries and djinn from Volume 1, along with a retinue of familiar spirits not previously mentioned are thereby conveyed for the strict purpose of provisioning the sorcerer with a corpus of referential allegiances.
The True Grimoire (deluxe edition) by Jake Stratton-Kent
out of stock - £595.00
'Fine edition' Limited to 72 copies
Handbound in full shrunken grain goatskin in deep bronze green, bevelled edges, all edges gilt, marbled endpapers, and custom slipcase. Letterpress print of The Prayer of the Salamanders.
The first volume of Jake Stratton-Kent’s Encyclopaedia Goetica is a reconstruction of the Grimorium Verum from the corrupted Italian and French versions of the grimoire. The True Grimoire comprises a coherent and eminently workable system of goetic magic, with extensive commentary and notes by a practicing necromancer.
The second edition appears thirteen years after the True Grimoire was first published, in which time it has become a critical and foundational work of the current magical revival. As Dr Alexander Cummins observes in his Foreword, the True Grimoire ‘spearheaded a particular renaissance in grimoire studies towards more informed historical analysis and more engaged mythopoetic ritual praxis, all the while centring the realities of hands-on cunning.’
In his introduction and notes to the grimoire, Stratton-Kent elucidates the importance of this concise and comprehensive text to magicians and students of magic alike:
‘The grimoire deals with significant themes that other, often larger, texts have lost, omitted or obscured. […] It enables the persistent seeker to see, essentially, what many have failed to see, that underlying goetic magic is a hidden tradition of great depth and significance. It possesses a traditional methodology that confronts and deals directly with the same primal realities faced by our most remote ancestors; in which all later magic and religion had their original impetus, but which in the West is primarily preserved in goetic magic alone.’
We are given insights across the grimoire tradition into allied texts such as the Grand Grimoire and Red Dragon, the Key of Solomon, the Lemegeton, Abramelin, Honorius and the Black Pullet. This is a treasure trove for the student of magic. Stratton-Kent reveals a grimoire tradition with roots in the Graeco-Egyptian magical papyri and the necromancy of the goês.
The True Grimoire is an elemental and chthonic grimoire of conjuration, pact-making and spell-working. It clearly and concisely explains how to contact and build a relationship with the spirits, and the primary role of the intermediary spirit, whom JSK characterises as ‘akin in a real sense to the Holy Guardian Angel in the Abramelin system.’ The text provides the timing, tools and conjurations for what is an attainable and practical system of magic.
The new edition is augmented by two previously published and out of print essays by the author: ‘ The Spell for Success’ gives a comprehensive analysis of a key part of the Grimorium Verum ritual, which it shares with a number of other Solomonic works, but which originates conceptually in pre-Solomonic magic; and ‘The Conjuration of Nebiros,’ which details a complete conjuration from the author’s personal work, illustrating the entire process and contextualising it.
The book has been redesigned and typeset by Alkistis Dimech, with necromantic emblems by Artem Grigoryev. In addition, the hardback and fine edition are issued with a letterpress print of The Prayer of the Salamanders.
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