Category:
Fine & Antiquarian
£250.00
Hardback Deluxe Edition strict limitation of 100 copies
250 pages, 156×234 mm. Litho printed, Sewn, marbled endpapers, tailbands,
foil-blocked and quarter bound in leather, slipcase, dustjacket
two colourplate sections, and over 100 black and white images in the text.
Facsimile AOS exhibitions invite (1909) and original signed ink-drawing by the author.
A Critical Survey of the Art and Writings of Austin Osman Spare
Featuring 93 colour images and 50 unpublished artworks by Spare this book expands upon the books first publishing in the 1980s. The author returns to his earliest writing as the basis for a newly updated inquiry into the volatile essences of Spare’s art. This is a substantial and thought-provoking book by the most prolific contributor to Sparean scholarship.
Comprising a revised and much expanded republication of the long out of print books ‘The Early…’ and ‘The Late works of Austin Osman Spare’, it also includes 20 very early ink drawings from a recently discovered private collection. An extensive new introduction analyzes the themes and obsessions in Spare’s art; palimpsests and Realism.
Decades of fastidious research have yielded many insights and revelations which are now elucidated with many references to surprising source imagery. By immersing himself in Spare’s creative impetus Wallace has explored not only occult texts and alchemical art, but has also found a rich vein of reference and allusion to the biblical texts, and the art of Blake, Hogarth and Shakespeare.
Crucially the reader is now furnished with the solutions to several iconographical enigmas; there is an in-depth examination the Mrs Paterson myth, ‘Black Eagle’, and the first convincing decoding of the ‘L.C.O’C.S’ dedication of The Focus of Life.
Dr Wallace also comments on an unpublished early political cartoon of Chamberlain, as well as reproducing correspondence between Kenneth Grant, and an affectionate memoir of Frank Letchford.
The Foreword is provided by Michael Staley; the Afterword by Stephen Pochin, who examines Spare’s life-long appropriation of artistic motifs, from Egyptian to G.F. Watts, to Rodin and George Tinworth.
This vital new addition to Sparean scholarship confirms he remains at the top of his game.
£245.00
Out of print hardback edition, limited to 350 copies only.
Unread in very good condition, wrapped in protective cellophane.
Edited, annotated and introduced by Richard Kaczynski, this edition far surpasses that found in the Collected Works: red and black ink has been employed to capture the feel of the 1904 edition; a 50 page introduction by Crowley’s foremost biographer introduces the reader to the many themes to be found throughout the book; finally, copious end-notes further elucidate concepts and ideas in need of clarification.
From the introduction:
‘The Sword of Song is arguably the greatest story never told. It is a book of firsts: his first manifesto, his first talismanic book, his first mystical essays, his first nod to sexual mysteries, and an enticing preview of what was to come in The Book of the Law, the spirit-writing that would form the cornerstone of his philosophy’.
£595.00
'Fine edition' Limited to 72 copies
Handbound in full shrunken grain goatskin in deep bronze green, bevelled edges, all edges gilt, marbled endpapers, and custom slipcase. Letterpress print of The Prayer of the Salamanders.
The first volume of Jake Stratton-Kent’s Encyclopaedia Goetica is a reconstruction of the Grimorium Verum from the corrupted Italian and French versions of the grimoire. The True Grimoire comprises a coherent and eminently workable system of goetic magic, with extensive commentary and notes by a practicing necromancer.
The second edition appears thirteen years after the True Grimoire was first published, in which time it has become a critical and foundational work of the current magical revival. As Dr Alexander Cummins observes in his Foreword, the True Grimoire ‘spearheaded a particular renaissance in grimoire studies towards more informed historical analysis and more engaged mythopoetic ritual praxis, all the while centring the realities of hands-on cunning.’
In his introduction and notes to the grimoire, Stratton-Kent elucidates the importance of this concise and comprehensive text to magicians and students of magic alike:
‘The grimoire deals with significant themes that other, often larger, texts have lost, omitted or obscured. […] It enables the persistent seeker to see, essentially, what many have failed to see, that underlying goetic magic is a hidden tradition of great depth and significance. It possesses a traditional methodology that confronts and deals directly with the same primal realities faced by our most remote ancestors; in which all later magic and religion had their original impetus, but which in the West is primarily preserved in goetic magic alone.’
We are given insights across the grimoire tradition into allied texts such as the Grand Grimoire and Red Dragon, the Key of Solomon, the Lemegeton, Abramelin, Honorius and the Black Pullet. This is a treasure trove for the student of magic. Stratton-Kent reveals a grimoire tradition with roots in the Graeco-Egyptian magical papyri and the necromancy of the goês.
The True Grimoire is an elemental and chthonic grimoire of conjuration, pact-making and spell-working. It clearly and concisely explains how to contact and build a relationship with the spirits, and the primary role of the intermediary spirit, whom JSK characterises as ‘akin in a real sense to the Holy Guardian Angel in the Abramelin system.’ The text provides the timing, tools and conjurations for what is an attainable and practical system of magic.
The new edition is augmented by two previously published and out of print essays by the author: ‘ The Spell for Success’ gives a comprehensive analysis of a key part of the Grimorium Verum ritual, which it shares with a number of other Solomonic works, but which originates conceptually in pre-Solomonic magic; and ‘The Conjuration of Nebiros,’ which details a complete conjuration from the author’s personal work, illustrating the entire process and contextualising it.
The book has been redesigned and typeset by Alkistis Dimech, with necromantic emblems by Artem Grigoryev. In addition, the hardback and fine edition are issued with a letterpress print of The Prayer of the Salamanders.
£150.00
Out of print limited hardback edition.
Goêtic Atavisms is designed to be an uncompromising and challenging book.
Written in mutual exchange between practitioners Frater Acher and Craig Slee, two radical views and explorations of applied goêteia emerge. This tête-bêche book can be read from both sides; behind one cover containing the chapters by Acher, behind the other those by Craig Slee, and where they meet in the middle a preface by none other than Frater U∴D∴.
In their own unique voices, the authors draw the reader in and call on them to bring goêteia to life in their own flesh. Over twelve chapters, packed with historic detail and practical experimentations, the reader is guided to take a fresh look at such diverse bodies of goêtic work as Zosimos of Panopolis, Germanic and Old Iranian folklore, Goethe’s Faust and the Earth Spirit, Austin Osman Spare's œuvre, as well as modern forms of corporeality such as pornography, tattoo culture, and bodily disability. Goêtic Atavisms was written not only to be a sensual experience, but to facilitate magical touch.