Categories:
Ancient Civilizations,
Fine & Antiquarian
£195.00
Published in 1991, Jackal at the Shaman’s Gate will be of interest to Egyptologists and to students of comparative religion. It considers the Egyptian god Anubis as guardian of the ‘Shaman’s Gate’ which bridges this world and the next. The author quotes liberally from Egyptian sources, some of which have not previously been translated. Anubis, the jackal god who presides over the embalming process, judge and guide of souls, has a critical function in the processes of death, rebirth, and reintegration. Comparaitive material from other mythologies is cited to illustrate the universality of the archetypes of the dog/wolf and the ‘strait gate’ between earth and heaven.
This book also includes a text, with translation and commentary, of the invocation to Anubis, Osiris, and other chthonic deiies (PGM XXIII; pOxy 412). This hymn from the Greco-Egyptian magical papyri is a fine poem and an excellent example of the profundities to be found in these texts. The author’s comprehensive annotated bibliography lists works in several languages which deal with Anubis, Egyptian funerary practices, Greco-Egyptian mysticism and magic, and the dog/wolf motif in comparative mythology and folklore.
£245.00
Out of print hardback edition, limited to 350 copies only.
Unread in very good condition, wrapped in protective cellophane.
Edited, annotated and introduced by Richard Kaczynski, this edition far surpasses that found in the Collected Works: red and black ink has been employed to capture the feel of the 1904 edition; a 50 page introduction by Crowley’s foremost biographer introduces the reader to the many themes to be found throughout the book; finally, copious end-notes further elucidate concepts and ideas in need of clarification.
From the introduction:
‘The Sword of Song is arguably the greatest story never told. It is a book of firsts: his first manifesto, his first talismanic book, his first mystical essays, his first nod to sexual mysteries, and an enticing preview of what was to come in The Book of the Law, the spirit-writing that would form the cornerstone of his philosophy’.
£595.00
'Fine edition' Limited to 72 copies
Handbound in full shrunken grain goatskin in deep bronze green, bevelled edges, all edges gilt, marbled endpapers, and custom slipcase. Letterpress print of The Prayer of the Salamanders.
The first volume of Jake Stratton-Kent’s Encyclopaedia Goetica is a reconstruction of the Grimorium Verum from the corrupted Italian and French versions of the grimoire. The True Grimoire comprises a coherent and eminently workable system of goetic magic, with extensive commentary and notes by a practicing necromancer.
The second edition appears thirteen years after the True Grimoire was first published, in which time it has become a critical and foundational work of the current magical revival. As Dr Alexander Cummins observes in his Foreword, the True Grimoire ‘spearheaded a particular renaissance in grimoire studies towards more informed historical analysis and more engaged mythopoetic ritual praxis, all the while centring the realities of hands-on cunning.’
In his introduction and notes to the grimoire, Stratton-Kent elucidates the importance of this concise and comprehensive text to magicians and students of magic alike:
‘The grimoire deals with significant themes that other, often larger, texts have lost, omitted or obscured. […] It enables the persistent seeker to see, essentially, what many have failed to see, that underlying goetic magic is a hidden tradition of great depth and significance. It possesses a traditional methodology that confronts and deals directly with the same primal realities faced by our most remote ancestors; in which all later magic and religion had their original impetus, but which in the West is primarily preserved in goetic magic alone.’
We are given insights across the grimoire tradition into allied texts such as the Grand Grimoire and Red Dragon, the Key of Solomon, the Lemegeton, Abramelin, Honorius and the Black Pullet. This is a treasure trove for the student of magic. Stratton-Kent reveals a grimoire tradition with roots in the Graeco-Egyptian magical papyri and the necromancy of the goês.
The True Grimoire is an elemental and chthonic grimoire of conjuration, pact-making and spell-working. It clearly and concisely explains how to contact and build a relationship with the spirits, and the primary role of the intermediary spirit, whom JSK characterises as ‘akin in a real sense to the Holy Guardian Angel in the Abramelin system.’ The text provides the timing, tools and conjurations for what is an attainable and practical system of magic.
The new edition is augmented by two previously published and out of print essays by the author: ‘ The Spell for Success’ gives a comprehensive analysis of a key part of the Grimorium Verum ritual, which it shares with a number of other Solomonic works, but which originates conceptually in pre-Solomonic magic; and ‘The Conjuration of Nebiros,’ which details a complete conjuration from the author’s personal work, illustrating the entire process and contextualising it.
The book has been redesigned and typeset by Alkistis Dimech, with necromantic emblems by Artem Grigoryev. In addition, the hardback and fine edition are issued with a letterpress print of The Prayer of the Salamanders.
out of stock - £150.00
Out of print limited hardback edition.
Goêtic Atavisms is designed to be an uncompromising and challenging book.
Written in mutual exchange between practitioners Frater Acher and Craig Slee, two radical views and explorations of applied goêteia emerge. This tête-bêche book can be read from both sides; behind one cover containing the chapters by Acher, behind the other those by Craig Slee, and where they meet in the middle a preface by none other than Frater U∴D∴.
In their own unique voices, the authors draw the reader in and call on them to bring goêteia to life in their own flesh. Over twelve chapters, packed with historic detail and practical experimentations, the reader is guided to take a fresh look at such diverse bodies of goêtic work as Zosimos of Panopolis, Germanic and Old Iranian folklore, Goethe’s Faust and the Earth Spirit, Austin Osman Spare's œuvre, as well as modern forms of corporeality such as pornography, tattoo culture, and bodily disability. Goêtic Atavisms was written not only to be a sensual experience, but to facilitate magical touch.